Famous Love Poems

Famous Love Poems

Classic Love Poems by Famous Poets

From the first prick of Cupid's arrow to the bitterness of heartbreak, poets throughout the ages have written on the mysteries of love. Their rhymes and allegories help us to better understand our emotions and sort the many ups and downs of love. Whether a simple crush or years of marriage, poetry throughout the centuries has helped express and illuminate the difficult sentiments of the heart. Turning to poetry can help us to put words to the passions and excitements that love inflames within us and to direct that fire to the forging and melding of two hearts together.

30 of the Best Famous Love Poems

  1. 1. Love Song For Lucinda

    Famous Poem

    The poem explores love through vivid imagery and cautionary advice. Love is likened to a ripe plum growing on a purple tree, enticing and enchanting those who taste it. Similarly, love is compared to a bright star in the Southern skies, captivating but potentially overwhelming if looked at too intently. Finally, love is likened to a high mountain in a windy sky, suggesting that while love can offer exhilarating highs, it's important not to push oneself too far or risk losing one's balance. Through these metaphors, Hughes offers insights into the complexities and dangers of love, urging readers to approach it with caution and moderation.

    Love
    Is a ripe plum
    Growing on a purple tree.
    Taste it once
    And the spell of its enchantment
    Will never let you be.

    Love
    Is a bright star
    Glowing in far Southern skies.
    Look too hard
    And its burning flame
    Will always hurt your eyes.

    Love
    Is a high mountain
    Stark in a windy sky.
    If you
    Would never lose your breath
    Do not climb too high.

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  3. 2. She Walks In Beauty

    • By George Gordon, Lord Byron

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    "She Walks in Beauty" by Lord Byron is a poem that admires the beauty of a woman. In the poem, Byron describes how the woman's appearance is both graceful and radiant. He compares her to the beauty of the night sky, praising her for her elegance and charm. Byron's words paint a picture of a woman who is both physically stunning and morally pure. The poem celebrates the idea that true beauty comes from within as well as from outward appearance. Overall, "She Walks in Beauty" is a tribute to the timeless allure of femininity.

    She walks in beauty, like the night
        Of cloudless climes and starry skies;
    And all that’s best of dark and bright
        Meet in her aspect and her eyes;
    Thus mellowed to that tender light
        Which heaven to gaudy day denies.

    One shade the more, one ray the less,
        Had half impaired the nameless grace
    Which waves in every raven tress,
        Or softly lightens o’er her face;
    Where thoughts serenely sweet express,
        How pure, how dear their dwelling-place.

    And on that cheek, and o’er that brow,
        So soft, so calm, yet eloquent,
    The smiles that win, the tints that glow,
        But tell of days in goodness spent,
    A mind at peace with all below,
        A heart whose love is innocent!

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  5. 3. Wild Nights - Wild Nights!

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    "Wild Nights - Wild Nights!" by Emily Dickinson is a passionate expression of desire and longing. In this short yet powerful poem, Dickinson uses the imagery of a wild, untamed night to symbolize intense emotions and romantic yearning. The repetition of the phrase "Wild nights" emphasizes the speaker's excitement and fervor. Dickinson employs vivid language and evocative imagery to convey the intensity of the speaker's longing for love and connection. Despite its brevity, the poem captures the overwhelming nature of romantic passion and the sense of exhilaration that comes with it. Through its lyrical beauty and emotional depth, "Wild Nights - Wild Nights!" remains a timeless exploration of the complexities of love and desire.

    Wild nights - Wild nights!
    Were I with thee
    Wild nights should be
    Our luxury!

    Futile - the winds -
    To a Heart in port -
    Done with the Compass -
    Done with the Chart!

    Rowing in Eden -
    Ah - the Sea!
    Might I but moor - tonight -
    In thee!

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  6. 4. A Red, Red Rose

    • By Robert Burns

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    In "A Red, Red Rose" by Robert Burns, the poet employs several poetic techniques to express the depth of his love and commitment. Through vivid imagery, he compares his love to a "red, red rose" that blooms freshly in June, evoking the beauty and fragility of nature. The use of simile in the opening lines enhances the romantic tone of the poem, likening his love to a sweet melody played in perfect harmony. Additionally, Burns utilizes repetition for emphasis, with the phrase "I will love thee still, my dear" recurring throughout the poem, reinforcing the everlasting nature of his affection. Through these poetic techniques, Burns eloquently conveys the enduring passion and devotion he feels for his beloved, promising to love her unconditionally until the end of time.

    O my Luve is like a red, red rose
        That’s newly sprung in June;
    O my Luve is like the melody
        That’s sweetly played in tune.

    So fair art thou, my bonnie lass,
        So deep in luve am I;
    And I will luve thee still, my dear,
        Till a’ the seas gang dry.

    Till a’ the seas gang dry, my dear,
        And the rocks melt wi’ the sun;
    I will love thee still, my dear,
        While the sands o’ life shall run.

    And fare thee weel, my only luve!
        And fare thee weel awhile!
    And I will come again, my luve,
        Though it were ten thousand mile.

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  7. 5. Love's Philosophy

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    The poem expresses the idea that everything in nature is interconnected and harmonious, with elements like rivers, oceans, winds, mountains, and waves blending together seamlessly. The poet compares these natural unions to the longing for a romantic connection with someone they love. They wonder why, if nature itself is so unified, they cannot be united with their beloved through a kiss.

    The fountains mingle with the river
        And the rivers with the ocean,
    The winds of heaven mix for ever
        With a sweet emotion;
    Nothing in the world is single;
        All things by a law divine
    In one spirit meet and mingle.
        Why not I with thine?—

    See the mountains kiss high heaven
        And the waves clasp one another;
    No sister-flower would be forgiven
        If it disdained its brother;
    And the sunlight clasps the earth
        And the moonbeams kiss the sea:
    What is all this sweet work worth
        If thou kiss not me?

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  8. 6. On Marriage

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    The poem "On Marriage" by Kahlil Gibran is a poignant exploration of the nature of love and partnership. Through the voice of the master, Gibran speaks to the eternal bond that exists between two people who choose to spend their lives together, even beyond death. However, the poem also cautions against the dangers of losing oneself completely in a relationship and emphasizes the importance of maintaining one's individuality while still cherishing and supporting their partner. Gibran's use of vivid imagery and metaphor creates a powerful and thought-provoking piece on the complexities of love and marriage.
    The poem begins with these lines:
    Then Almitra spoke again and said, And what of Marriage, master? And he answered saying:

    You were born together, and together you shall be forever more.
    You shall be together when the white wings of death scatter your days.
    Yes, you shall be together even in the silent memory of God.
    But let there be spaces in your togetherness.
    And let the winds of heaven dance between you.
    Love one another, but make not a bond of love.
    Let it rather be a moving sea between the shores of your souls.
    Fill each other’s cup but drink not from one cup.
    Give one another of your bread but eat not from the same loaf.
    Sing and dance together and be joyous, but each one of you be
    alone – even as the strings of a lute are alone though they quiver with the same music.
    Give your hearts, but not in each other’s keeping.
    For only the hand of Life can contain your hearts.
    And stand together yet not too near together:
    For the pillars of the temple stand apart,
    And the oak tree and the Cyprus grow not in each other’s shadows

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  9. 7. I, Being Born A Woman And Distressed

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    "I, Being Born A Woman And Distressed" by Edna St. Vincent Millay also known as Sonnet XLI, is a poem that explores the complexities of love and desire. Through the use of poetic techniques such as imagery and metaphor, Millay portrays the speaker's struggle with societal expectations and her own desires. The poem's emotional tone is conflicted, with the speaker torn between her physical attraction to the addressee and her own sense of self. Edna St. Vincent Millay was an American poet and playwright known for her lyrical and emotionally charged poetry. She was a prominent figure in the literary and feminist movements of the early 20th century.

    I, being born a woman and distressed
    By all the needs and notions of my kind,
    Am urged by your propinquity to find
    Your person fair, and feel a certain zest
    To bear your body's weight upon my breast:
    So subtly is the fume of life designed,
    To clarify the pulse and cloud the mind,
    And leave me once again undone, possessed.
    Think not for this, however, the poor treason
    Of my stout blood against my staggering brain,
    I shall remember you with love, or season
    My scorn with pity, —let me make it plain:
    I find this frenzy insufficient reason
    For conversation when we meet again.

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  10. 8. I Wish I Could Remember That First Day

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    In "I Wish I Could Remember That First Day" by Christina Rossetti, the speaker expresses a longing to remember the details of their first meeting with someone special. The speaker reflects on the passing of that significant moment, regretting their lack of awareness and inability to foresee the importance it would hold. The poem captures the bittersweet feeling of realizing the significance of a past event that was initially overlooked or taken for granted. The speaker yearns to recollect the touch of that first encounter, emphasizing the power and significance of human connection.

    I wish I could remember that first day,
        First hour, first moment of your meeting me,
        If bright or dim the season, it might be
    Summer or winter for aught I can say;
    So unrecorded did it slip away,
        So blind was I to see and to foresee,
        So dull to mark the budding of my tree
    That would not blossom yet for many a May.
    If only I could recollect it, such
        A day of days! I let it come and go
        As traceless as a thaw of bygone snow;
    It seem'd to mean so little, meant so much;
    If only now I could recall that touch,
        First touch of hand in hand--Did one but know!

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  11. 9. Invitation To Love

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    "Invitation to Love" by Paul Laurence Dunbar is a welcoming poem that invites love to enter the speaker's life in all its forms. Whether it's during starry nights, moonlit evenings, or sunny days, love is embraced. It is described as sweet and gentle, compared to a nesting dove. The poem extends its invitation during moments of both sorrow and joy, in the changing seasons and natural beauty. The repeated refrain of "you are welcome, welcome" highlights the sincere openness to love's presence throughout life's diverse experiences.

    Come when the nights are bright with stars
    Or come when the moon is mellow;
    Come when the sun his golden bars
    Drops on the hay-field yellow.
    Come in the twilight soft and gray,
    Come in the night or come in the day,
    Come, O love, whene’er you may,
    And you are welcome, welcome.

    You are sweet, O Love, dear Love,
    You are soft as the nesting dove.
    Come to my heart and bring it to rest
    As the bird flies home to its welcome nest.

    Come when my heart is full of grief
    Or when my heart is merry;
    Come with the falling of the leaf
    Or with the redd’ning cherry.
    Come when the year’s first blossom blows,
    Come when the summer gleams and glows,
    Come with the winter’s drifting snows,
    And you are welcome, welcome.

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  12. 10. Love Sonnet XI

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    In this sensual love poem, Pablo Neruda compares a hunting puma to desiring his lover. He is starving for her touch and love, and he is seeking after her. Pablo Neruda (1904-1973) was a Chilean poet well-known for his passionate love poems. He was married three times, and his first wife did not speak Spanish.

    I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    like a puma in the barrens of Quitratue.

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  13. 11. Advice To A Girl

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    Sara Teasdale (1884-1933) was an American poet who wrote seven books of poetry during her lifetime. Many of her poems focused on the emotional development of women. In this poem, the opening lines are repeated at the end, bringing attention to the theme of this poem that no one is in control of who you are. Each person has value and cannot be possessed by another.

    No one worth possessing
    Can be quite possessed;
    Lay that on your heart,
    My young angry dear;
    This truth, this hard and precious stone,
    Lay it on your hot cheek,
    Let it hide your tear.
    Hold it like a crystal
    When you are alone
    And gaze in the depths of the icy stone.
    Long, look long and you will be blessed:
    No one worth possessing
    Can be quite possessed.

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  14. 12. When I Die I Want Your Hands On My Eyes

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    In this poem, the speaker talks about wanting his spouse to remember him after he passes, but he doesn’t want her to mourn his loss so much that she doesn’t continue living her life. Pablo Neruda was a Chilean poet who lived from 1904-1973, and his first wife did not speak his native language of Spanish. This poem is made up of quatrains (four-line poems) and tercets (three-line poems).

    When I die I want your hands on my eyes:
    I want the light and the wheat of your beloved hands
    to pass their freshness over me one more time
    to feel the smoothness that changed my destiny.

    I want you to live while I wait for you, asleep,
    I want for your ears to go on hearing the wind,
    for you to smell the sea that we loved together
    and for you to go on walking the sand where we walked.

    I want for what I love to go on living
    and as for you I loved you and sang you above everything,
    for that, go on flowering, flowery one,

    so that you reach all that my love orders for you,
    so that my shadow passes through your hair,
    so that they know by this the reason for my song.

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  15. 13. Don't Go Far Off, Not Even For A Day

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    Pablo Neruda (1904-1973) writes this poem about the intense love between two people. A man is so strongly connected to his lover that he fears what will happen if she ever decides to leave. He doesn’t want her to be away from him, even for a day, for he doesn’t know how he will survive without her. Pablo Neruda, a Chilean poet, had three wives. This poem is made up of quatrains and tercets that contain descriptive language.

    Don't go far off, not even for a day, because --
    because -- I don't know how to say it: a day is long
    and I will be waiting for you, as in an empty station
    when the trains are parked off somewhere else, asleep.

    Don't leave me, even for an hour, because
    then the little drops of anguish will all run together,
    the smoke that roams looking for a home will drift
    into me, choking my lost heart.

    Oh, may your silhouette never dissolve on the beach;
    may your eyelids never flutter into the empty distance.
    Don't leave me for a second, my dearest,

    because in that moment you'll have gone so far
    I'll wander mazily over all the earth, asking,
    Will you come back? Will you leave me here, dying?

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    I really feel the same when she is away.

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  16. 14. One Hundred Love Sonnets

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    Many of Pablo Neruda’s love poems helped him get known as an important Chilean poet. In this poem, he can’t fully explain his love, but he feels it deeply. It’s not one of show. Instead, it’s a love that’s simple and humble, a love that sees the beauty hidden within a person. The repetition of “I love you” brings attention to the poet’s desire to convey his feelings for the subject of this poem.

    I don’t love you as if you were a rose of salt, topaz,
    or arrow of carnations that propagate fire:
    I love you as one loves certain obscure things,
    secretly, between the shadow and the soul.

    I love you as the plant that doesn’t bloom but carries
    the light of those flowers, hidden, within itself,
    and thanks to your love the tight aroma that arose
    from the earth lives dimly in my body.

    I love you without knowing how, or when, or from where,
    I love you directly without problems or pride:
    I love you like this because I don’t know any other way to love,
    except in this form in which I am not nor are you,
    so close that your hand upon my chest is mine,
    so close that your eyes close with my dreams.

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  17. 15. If Thou Must Love Me

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    If Thou Must Love Me is Sonnet 14 in "Sonnets from the Portuguese," a collection of 44 love poems from Elizabeth Barrett Browning (1806 – 1861) to her future husband Robert Browning. The couple married in 1846 and the collection was first published in 1850. Elizabeth was hesitant to publish the extremely personal collection, but Robert, a famous poet himself, urged her to publish them. The title suggesting that the sonnets were written by an unknown Portuguese was an attempt to give the couple some privacy.

    If thou must love me, let it be for nought
    Except for love's sake only. Do not say
    I love her for her smile ... her look ... her way
    Of speaking gently, ... for a trick of thought
    That falls in well with mine, and certes brought
    A sense of pleasant ease on such a day'—
    For these things in themselves, Beloved, may
    Be changed, or change for thee,—and love, so wrought,
    May be unwrought so. Neither love me for
    Thine own dear pity's wiping my cheeks dry,—
    A creature might forget to weep, who bore
    Thy comfort long, and lose thy love thereby!
    But love me for love's sake, that evermore
    Thou may'st love on, through love's eternity.

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  18. 16. If You Forget Me

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    This poem was written while Pablo Neruda was in exile from Chile, during which time he was also having an affair with Matilde Urrutia, the woman who would become his third wife. It is presumed the poem was written with Matilde in mind, perhaps while she was in his presence. This poem shows how when an individual consumes your thoughts, everything you see, hear, touch, or experience reminds you of that person. It also shows that love can only last when a relationship is cared for and not ignored. As soon as one person does not see it as important, the relationship begins to wither.

    I want you to know
    one thing.

    You know how this is:
    if I look
    at the crystal moon, at the red branch
    of the slow autumn at my window,
    if I touch
    near the fire
    the impalpable ash
    or the wrinkled body of the log,
    everything carries me to you,
    as if everything that exists,
    aromas, light, metals,
    were little boats
    that sail
    toward those isles of yours that wait for me.

    Well, now,
    if little by little you stop loving me
    I shall stop loving you little by little.

    If suddenly
    you forget me
    do not look for me,
    for I shall already have forgotten you.

    If you think it long and mad,
    the wind of banners
    that passes through my life,
    and you decide
    to leave me at the shore
    of the heart where I have roots,
    remember
    that on that day,
    at that hour,
    I shall lift my arms
    and my roots will set off
    to seek another land.

    But
    if each day,
    each hour,
    you feel that you are destined for me
    with implacable sweetness,
    if each day a flower
    climbs up to your lips to seek me,
    ah my love, ah my own,
    in me all that fire is repeated,
    in me nothing is extinguished or forgotten,
    my love feeds on your love, beloved,
    and as long as you live it will be in your arms
    without leaving mine.

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  19. 17. Always Marry An April Girl

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    April is a month of tumultuous weather. Some days are dry, sunny, and pristine. Others are cold, stormy, and unenjoyable. Ogden Nash compares women to the month of April. They can be unpredictable. Sometimes they’re sweet and tender. Other times they’re cruel and angry, but in the end, they are loved for who they are.

    Praise the spells and bless the charms,
    I found April in my arms.
    April golden, April cloudy,
    Gracious, cruel, tender, rowdy;
    April soft in flowered languor,
    April cold with sudden anger,
    Ever changing, ever true --
    I love April, I love you.

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  20. 18. I Love You

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    Ella Wheeler was born in 1850 on a farm in Wisconsin, the youngest of four children. She wrote numerous poems starting when she was 7 years old. During her life, Wilcox received many rejection letters before a publisher gave her books of poetry a chance. Despite these rejections, Wilcox remained very optimistic. Her best-known poetry book was Poems of Passion (1883). In her later years she went to France during World War 1 to lecture to the soldiers, and assist with the Red Cross.

    I love your lips when they’re wet with wine
        And red with a wild desire;
    I love your eyes when the lovelight lies
        Lit with a passionate fire.
    I love your arms when the warm white flesh
        Touches mine in a fond embrace;
    I love your hair when the strands enmesh
        Your kisses against my face.

    Not for me the cold, calm kiss
        Of a virgin’s bloodless love;
    Not for me the saint’s white bliss,
        Nor the heart of a spotless dove.
    But give me the love that so freely gives
        And laughs at the whole world’s blame,
    With your body so young and warm in my arms,
        It sets my poor heart aflame.

    So kiss me sweet with your warm wet mouth,
        Still fragrant with ruby wine,
    And say with a fervor born of the South
        That your body and soul are mine.
    Clasp me close in your warm young arms,
        While the pale stars shine above,
    And we’ll live our whole young lives away
        In the joys of a living love.

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  21. 19. My Mistress' Eyes Are Nothing Like The Sun

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    Poem about an ordinary relationship between lovers that is extraordinary. This poem is written in the form of a sonnet, which is a 14 line rhyming poem that has its origins in Italy. This poem makes fun of passionate love poetry in which the poet imagines that their lover is more spectacular than anything in the universe. Instead, the poet maintains that his relationship with his lover is as unique and magnificent as any other although his lover is an ordinary woman.

    My mistress' eyes are nothing like the sun;
    Coral is far more red than her lips' red;
    If snow be white, why then her breasts are dun;
    If hairs be wires, black wires grow on her head.
    I have seen roses damasked, red and white,
    But no such roses see I in her cheeks;
    And in some perfumes is there more delight
    Than in the breath that from my mistress reeks.
    I love to hear her speak, yet well I know
    That music hath a far more pleasing sound;
    I grant I never saw a goddess go;
    My mistress when she walks treads on the ground.
    And yet, by heaven, I think my love as rare
    As any she belied with false compare.

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    How absolutely lovely! The way the poem 'shows' more than tells is magnificent; this is an art unto itself!

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  22. 20. A Dream Girl

    Famous Poem

    Carl Sandburg was an American poet who lived from 1878-1967. Due to the financial strain in his family, he was only able to attend school through 8th grade, but his family valued diligence and education. Later in life, he did get to attend Lombard College for a tuition-free education because he served in the Spanish-American War. In this poem, the speaker talks of a girl he will meet one day. He hopes she will come into his life, but he knows it might be just a dream.

    You will come one day in a waver of love,
    Tender as dew, impetuous as rain,
    The tan of the sun will be on your skin,
    The purr of the breeze in your murmuring speech,
    You will pose with a hill-flower grace.

    You will come, with your slim, expressive arms,
    A poise of the head no sculptor has caught
    And nuances spoken with shoulder and neck,
    Your face in pass-and-repass of moods
    As many as skies in delicate change
    Of cloud and blue and flimmering sun.

    Yet,
    You may not come, O girl of a dream,
    We may but pass as the world goes by
    And take from a look of eyes into eyes,
    A film of hope and a memoried day.

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