Famous Nature Poems - Page 2

21 - 40 of 57 Poems

  1. 21. The Seed-Shop

    Famous Poem

    One of the topics Muriel Stuart (1885-1967) liked to write about was nature. She even stopped writing poetry to pursue writing about gardening. In this poem, she shares about the hidden potential of seeds. In their current state, they look like lifeless stones, but an entire garden and forest rests inside of them when they are planted. The same could be said about people. When we don’t embrace our purpose and contribute to society, we are no better than unplanted seeds. But once we allow our gifts and talents to be used, we create beauty for others to enjoy.

    HERE in a quiet and dusty room they lie,
    Faded as crumbled stone and shifting sand,
    Forlorn as ashes, shrivelled, scentless, dry -
    Meadows and gardens running through my hand.

    Dead that shall quicken at the voice of spring,
    Sleepers to wake beneath June’s tempest kiss;
    Though birds pass over, unremembering,
    And no bee find here roses that were his.

    In this brown husk a dale of hawthorn dreams;
    A cedar in this narrow cell is thrust
    That shall drink deeply at a century’s streams;
    These lilies shall make summer on my dust.

    Here in their safe and simple house of death,
    Sealed in their shells, a million roses leap;
    Here I can stir a garden with my breath,
    And in my hand a forest lies asleep.

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  3. 22. A Day Of Sunshine

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    Sunny days have a way of making us feel fantastic. We want to take full advantage of what the day has to offer. Famous poet Henry Wadsworth Longfellow (1807-1882) captures the beauty and desire to enjoy nature on a sunny day. Sunny days can make it hard to focus on work because one would rather be outside enjoying the majesty of the natural world. Henry Wadsworth Longfellow was a prolific writer of prose and poetry. After graduating from college, he studied languages in Europe before becoming a college professor at Bowdoin, his alma mater, and later at Harvard.

    O gift of God! O perfect day:
    Whereon shall no man work, but play;
    Whereon it is enough for me,
    Not to be doing, but to be!

    Through every fibre of my brain,
    Through every nerve, through every vein,
    I feel the electric thrill, the touch
    Of life, that seems almost too much.

    I hear the wind among the trees
    Playing celestial symphonies;
    I see the branches downward bent,
    Like keys of some great instrument.

    And over me unrolls on high
    The splendid scenery of the sky,
    Where though a sapphire sea the sun
    Sails like a golden galleon,

    Towards yonder cloud-land in the West,
    Towards yonder Islands of the Blest,
    Whose steep sierra far uplifts
    Its craggy summits white with drifts.

    Blow, winds! and waft through all the rooms
    The snow-flakes of the cherry-blooms!
    Blow, winds! and bend within my reach
    The fiery blossoms of the peach!

    O Life and Love! O happy throng
    Of thoughts, whose only speech is song!
    O heart of man! canst thou not be
    Blithe as the air is, and as free?

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  5. 23. Who Has Seen The Wind?

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    Until the age of nine, Christina Rossetti (1830-1894) spent time at her grandfather’s cottage in Holmer Green. In 1839, he sold the property and moved to London. During these visits to Holmer Green, Christina had the freedom to wander around the property and fall in love with nature. The natural world seeped into the poetry she went on to write.

    Who has seen the wind?
    Neither I nor you:
    But when the leaves hang trembling,
    The wind is passing through.

    Who has seen the wind?
    Neither you nor I:
    But when the trees bow down their heads,
    The wind is passing by.

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  6. 24. God The Artist

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    Angela Morgan was an American writer who formed a musical quartet with her three sisters, and her brother was their manager. This was one way she earned a living. In this poem, the narrator reflects on the marvels of God. How did He come up with all the ideas and intricacies we see in nature?

    God, when you thought of a pine tree,
    How did you think of a star?
    How did you dream of the Milky Way
    To guide us from afar.
    How did you think of a clean brown pool
    Where flecks of shadows are?

    God, when you thought of a cobweb,
    How did you think of dew?
    How did you know a spider's house
    Had shingles bright and new?
    How did you know the human folk
    Would love them like they do?

    God, when you patterned a bird song,
    Flung on a silver string,
    How did you know the ecstasy
    That crystal call would bring?
    How did you think of a bubbling throat
    And a darling speckled wing?

    God, when you chiseled a raindrop,
    How did you think of a stem,
    Bearing a lovely satin leaf
    To hold the tiny gem?
    How did you know a million drops
    Would deck the morning's hem?

    Why did you mate the moonlit night
    With the honeysuckle vines?
    How did you know Madeira bloom
    Distilled ecstatic wines?
    How did you weave the velvet disk
    Where tangled perfumes are?
    God, when you thought of a pine tree,
    How did you think of a star?

    God The Artist By Angela Morgan

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  7. 25. There Will Come Soft Rains (War Time)

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    The Sedition Act of 1918 made it a crime to express any dissenting views about the U.S. involvements in World War I. This forced writers like Sara Teasdale to express their opposition to the war in more subtle ways. The poem suggests that even if humans were to be destroyed by war, the earth would continue to exist and even flourish without us. The personification of Spring as being indifferent to the fate of humanity emphasizes that the meaning of our existence is something that we create for ourselves, and that nature is not concerned with us. The poem is a powerful statement against the wasteful nature of war, and a reminder that we must strive to protect the natural world that sustains us.

    There will come soft rains and the smell of the ground,
    And swallows circling with their shimmering sound;

    And frogs in the pools singing at night,
    And wild plum-trees in tremulous white;

    Robins will wear their feathery fire
    Whistling their whims on a low fence-wire;

    And not one will know of the war, not one
    Will care at last when it is done.

    Not one would mind, neither bird nor tree
    If mankind perished utterly;

    And Spring herself, when she woke at dawn,
    Would scarcely know that we were gone.

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  8. 26. November

    • By Alice Cary

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    In "November" by Alice Cary (1820-1871) , the poet uses vivid imagery and personification to convey a message of hope and resilience. The fading leaves, rough winds, and silent birds symbolize the onset of winter and the hardships it brings. However, the poet reassures the child that beneath the cold and darkness, the roots of the bright red roses remain alive in the snow, symbolizing the persistence of beauty and life even in difficult times. The poem employs repetition, such as the phrase "let me tell you, my child," to emphasize the message and create a sense of guidance and reassurance. The contrast between the current bleakness and the anticipated return of spring further reinforces the theme of cyclical renewal and the inevitability of better times. Overall, the poem encourages resilience and optimism in the face of adversity.

    The leaves are fading and falling,
       The winds are rough and wild,
    The birds have ceased their calling,
       But let me tell, you my child,

    Though day by day, as it closes,
       Doth darker and colder grow,
    The roots of the bright red roses
       Will keep alive in the snow.

    And when the Winter is over,
       The boughs will get new leaves,
    The quail come back to the clover,
       And the swallow back to the eaves.

    The robin will wear on his bosom
       A vest that is bright and new,
    And the loveliest way-side blossom
      Will shine with the sun and dew.

    The leaves to-day are whirling,
       The brooks are all dry and dumb,
    But let me tell, you my darling,
       The Spring will be sure to come.

    There must be rough, cold weather,
       And winds and rains so wild;
    Not all good things together
       Come to us here, my child.

    So, when some dear joy loses
       Its beauteous summer glow,
    Think how the roots of the roses
       Are kept alive in the snow.

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  9. 27. Peace

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    Being immersed in nature brings about a peace within a person. Everything in nature has been carefully and meticulously created, leaving us breathless when it’s enjoyed. The world revolves in a peaceful manner; it’s people who’ve created the chaos. Humans are so busy with many different things that we forget to slow down and enjoy the peace of nature.

    THE steadfast coursing of the stars,
    The waves that ripple to the shore,
    The vigorous trees which year by year
    Spread upwards more and more;

    The jewel forming in the mine,
    The snow that falls so soft and light,
    The rising and the setting sun,
    The growing glooms of night;

    All natural things both live and move
    In natural peace that is their own;
    Only in our disordered life
    Almost is she unknown.

    She is not rest, nor sleep, nor death;
    Order and motion ever stand
    To carry out her firm behests
    As guards at her right hand.

    And something of her living force
    Fashions the lips when Christians say
    To Him Whose strength sustains the world,
    "Give us Thy Peace, we pray!"

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  10. 28. Our Blessings

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    “Our Blessings" by Ella Wheeler Wilcox encourages readers to reflect on the small, everyday blessings in life and to be grateful for them. She reminds us that blessings come in all forms, whether they be big or small, and that they are all around us if we only take the time to notice them. The poem employs poetic techniques such as imagery, where the speaker uses descriptive language to create sensory experiences for the reader, helping them to see and feel the blessings in their life. Alliteration is also used to draw attention to the beauty of the sky and repetition is used to stress the idea that blessings are all around us.

    Sitting to-day in the sunshine
        That touched me with fingers of love,
    I thought of the manifold blessings
        God scatters on earth, from above;
    And they seemed, as I numbered them over,
        Far more than we merit, or need,
    And all that we lack is the angels
        To make earth a heaven indeed.

    The winter brings long, pleasant evenings,
        The spring brings a promise of flowers
    That summer breathes into fruition;
        And autumn brings glad, golden hours.
    The woodlands re-echo with music,
        The moonbeams ensilver the sea;
    There is sunlight and beauty about us,
        And the world is as fair as can be.

    But mortals are always complaining!
        Each one thinks his own a sad lot,
    And forgetting the good things about him,
        Goes mourning for those he has not.
    Instead of the star-spangled heavens,
        We look on the dust at our feet;
    We drain out the cup that is bitter,
        Forgetting the one that is sweet.

    We mourn o'er the thorn in the flower,
        Forgetting its odor and bloom;
    We pass by a garden of blossoms,
        To weep o'er the dust of the tomb.
    There are blessings unnumbered about us--
        Like the leaves of the forest they grow;
    And the fault is our own--not the Giver's--
        That we have not Eden below.

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  11. 29. Winter Woods

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    "Winter Woods" by Eleanor Hammond is a vivid poem that paints a powerful image of the winter landscape. Through personification, the poet compares the winter woods to an elderly man, using metaphors to convey its strength and resilience. The description of the wood's "gnarled arms" and "old head" creates a tangible image of nature's endurance against the harshness of winter. The poem captures the essence of nature's tenacity and the beauty of its wintry facade.

    The winter wood is like a strong old man,
    Grizzled, rugged, and gray,
    With long white locks tattered by many storms.
    He lifts gnarled arms defiant of the blasts,
    And rears his old head proudly
    Under the menace of the winter sky.

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  12. 30. Spring Fever

    • By Charles A. Heath

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    In "Spring Fever" by Charles A. Heath, the poem captures the joy and anticipation of the arrival of spring. The speaker describes various signs of the season, such as the longing for nature, the return of robins and frogs, and the migration of ducks and geese. The poem also portrays the practical activities associated with spring, like opening windows, cleaning and fixing things, and engaging in outdoor pursuits like fishing. Through lively imagery and a playful tone, the poem conveys the sense of renewal and excitement that comes with the arrival of spring. It celebrates the awakening of nature and the eager anticipation of enjoying the outdoors after the long winter months.

    When a feller feels a longing
        For the medder in his breast.
    When the robins north are thronging,
        Where they haste to build their nest.
    When the frogs peep in the puddle
        Where I love to hear them sing,
    Then my brain is in a muddle,
        For I know it's really spring.

    When the double windows smother
        Us until we want more air;
    When a protest comes and mother
        Can't endure them longer there;
    When we ope the cellar shutters,
        Kitchen doors are on the swing,
    Clean the cisterns, fix the gutters―
        Then I know its truly spring.

    When the wild ducks and geese are going
        Northward, "dragging" as they fly;
    When the streams are overflowing,
        And a rainbow gilds the sky;
    When the plowman turns the stubble
        Where the bluebirds sweetly sing,
    When comes carpet-beating trouble,
        Then I'm confident it's spring.

    When the jack-torch men are spearing
        Silver suckers in the brook,
    And the angleworms appearing.
        Seem quite anxious for my hook;
    When the mellow sunlights beckon
        Till the mill wheel starts to sing,
    Then's the time the fish, I reckon,
        'Spect to see me―Come! It's spring!

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  13. 31. There Is Another Sky

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    This poem about finding a beautiful garden is one of Emily Dickinson's most well known poems. The precise meaning of the poem is a matter of opinion. One possibility is that she is pointing out that a person may be disappointed in his quest to experience beauty in the world. However, when we look inside ourselves and one another, we may find a flourishing beautiful garden of delights!

    There is another sky,
    Ever serene and fair,
    And there is another sunshine,
    Though it be darkness there;
    Never mind faded forests, Austin,
    Never mind silent fields -
    Here is a little forest,
    Whose leaf is ever green;
    Here is a brighter garden,
    Where not a frost has been;
    In its unfading flowers
    I hear the bright bee hum:
    Prithee, my brother,
    Into my garden come!

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  14. 32. The Way Through The Woods

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    Joseph Rudyard Kipling (1865 - 1936) was an short-story writer, poet, and novelist. In 1907 Kipling was awarded the Nobel Prize for Literature. Among his most famous works are The Jungle Book and the poem "If."

    THEY shut the road through the woods
      Seventy years ago.
    Weather and rain have undone it again,
      And now you would never know
    There was once a path through the woods        
      Before they planted the trees:
    It is underneath the coppice and heath,
      And the thin anemones.
      Only the keeper sees
    That, where the ring-dove broods        
      And the badgers roll at ease,
    There was once a road through the woods.

    Yet, if you enter the woods
      Of a summer evening late,
    When the night-air cools on the trout-ring’d pools        
      Where the otter whistles his mate
    (They fear not men in the woods
      Because they see so few),
    You will hear the beat of a horse’s feet
      And the swish of a skirt in the dew,
      Steadily cantering through
    The misty solitudes,
      As though they perfectly knew
    The old lost road through the woods ...
    But there is no road through the woods.

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  15. 33. The Golden Sunset

    • By Samuel Longfellow

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    The poet paints a breathtaking picture of a transcendent moment where earth and heaven seem to converge. Through vivid imagery and gentle rhythms, they explore the seamless blending of the natural world and the spiritual realm, inviting readers to contemplate the beauty and mystery of existence

    The golden sea its mirror spreads
        Beneath the golden skies,
    And but a narrow strip between
        Of earth and shadow lies.

    The cloud-like cliffs, the cliff-like clouds,
        Dissolved in glory, float,
    And midway of the radiant floods
        Hangs silently the boat.

    The sea is but another sky,
        The sky a sea as well,
    And which is earth and which the heavens
        The eye can scarcely tell.

    So when for me life's latest hour
        Soft passes to its end,
    May glory, born of earth and heaven,
        The earth and heaven blend.

    Flooded with light the spirits float,
        With silent rapture glow,
    Till where earth ends and heaven begins
        The soul shall scarcely know.

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  16. 34. The Tyger

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    William Blake became an apprentice to an engraver at a young age, which was an inspiration for many of his poems. The Tyger in this poem is a symbol of creation and the presence of both good and evil in this world. The Tyger is written in Quatrains (4 line stanzas) and follows an AABB rhyme scheme.

    Tyger! Tyger! burning bright
    In the forests of the night,
    What immortal hand or eye
    Could frame thy fearful symmetry?

    In what distant deeps or skies
    Burnt the fire of thine eyes?
    On what wings dare he aspire?
    What the hand dare seize the fire?

    And what shoulder, and what art,
    Could twist the sinews of thy heart?
    And when thy heart began to beat,
    What dread hand? and what dread feet?

    What the hammer? what the chain?
    In what furnace was thy brain?
    What the anvil? what dread grasp
    Dare its deadly terrors clasp?

    When the stars threw down their spears,
    And watered heaven with their tears,
    Did he smile his work to see?
    Did he who made the Lamb make thee?

    Tyger! Tyger! burning bright
    In the forests of the night,
    What immortal hand or eye,
    Dare frame thy fearful symmetry?

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  17. 35. The Eagle

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    In this short poem by Alfred Lord Tennyson (1809-1892), he captures the majesty of an eagle hunting from the top of a cliff. This descriptive poem is comprised of tercets (three-line stanzas).

    He clasps the crag with crooked hands;
    Close to the sun in lonely lands,
    Ringed with the azure world, he stands.

    The wrinkled sea beneath him crawls;
    He watches from his mountain walls,
    And like a thunderbolt he falls.

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  18. 36. To Autumn

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    John Keats was a British Romantic Poem who only lived 25 short years, from 1795-1821. "To Autumn" is the final work in a group of poems that is referred to as Keats' 1819 Odes. He was inspired to write this poem after going on a walk on an autumn evening near Winchester. He wrote it on September 19, 1819, and it was published in 1820, a little more than a year before he succumbed to tuberculosis. The poem shows the progression through the autumn season, from fruitfulness, to labor, and ultimately to its decline. It also has a strong sense of imagery and uses personification.

    Season of mists and mellow fruitfulness,  
    Close bosom-friend of the maturing sun;
    Conspiring with him how to load and bless  
    With fruit the vines that round the thatch-eves run;
    To bend with apples the moss'd cottage-trees,  
    And fill all fruit with ripeness to the core;      
    To swell the gourd, and plump the hazel shells  
    With a sweet kernel; to set budding more,
    And still more, later flowers for the bees,
    Until they think warm days will never cease,      
    For summer has o'er-brimm'd their clammy cells.

    Who hath not seen thee oft amid thy store?  
    Sometimes whoever seeks abroad may find
    Thee sitting careless on a granary floor,  
    Thy hair soft-lifted by the winnowing wind;
    Or on a half-reap'd furrow sound asleep,  
    Drows'd with the fume of poppies, while thy hook      
    Spares the next swath and all its twined flowers:
    And sometimes like a gleaner thou dost keep  
    Steady thy laden head across a brook;  
    Or by a cyder-press, with patient look,      
    Thou watchest the last oozings hours by hours.

    Where are the songs of spring? Ay, Where are they?  
    Think not of them, thou hast thy music too,--
    While barred clouds bloom the soft-dying day,  
    And touch the stubble-plains with rosy hue;
    Then in a wailful choir the small gnats mourn  
    Among the river sallows, borne aloft      
    Or sinking as the light wind lives or dies;
    And full-grown lambs loud bleat from hilly bourn;  
    Hedge-crickets sing; and now with treble soft  
    The red-breast whistles from a garden-croft;      
    And gathering swallows twitter in the skies.

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    It's an awesome poem!! I really love it!!!

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  19. 37. Fog

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    “Fog” was part of Carl Sandburg’s first poetry collection, Chicago Poems, published in 1916. Sandburg wrote simply and was known to use the “language of the people.” This poem was no different. He used simple imagery, personification and a metaphor to compare fog to the movement of a cat. Sandburg was inspired to write this poem when he saw the fog roll in to the Chicago harbor.

    The fog comes
    on little cat feet.

    It sits looking
    over harbor and city
    on silent haunches
    and then moves on.

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  20. 38. Vision

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    Sometimes it’s hard to see past what is right in front of us in order to see the beauty around us. It can be easy to allow circumstances to cloud our view. In this poem, mist and clouds fill the valley, preventing the people living there from seeing the beauty of the surrounding mountains.

    I came to the mountains for beauty
    And I find here the toiling folk,
    On sparse little farms in the valleys,
    Wearing their days like a yoke.

    White clouds fill the valleys at morning,
    They are round as great billows at sea,
    And roll themselves up to the hill-tops
    Still round as great billows can be.

    The mists fill the valleys at evening,
    They are blue as the smoke in the fall,
    And spread all the hills with a tenuous scarf
    That touches the hills not at all.

    These lone folk have looked on them daily,
    Yet I see in their faces no light.
    Oh, how can I show them the mountains
    That are round them by day and by night?

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  21. 39. Memory

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    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,
    And on the last blue noon in May--
    The wind came briskly up this way,
    Crisping the brook beside the road;
    Then, pausing here, set down its load
    Of pine-scents, and shook listlessly
    Two petals from that wild-rose tree.

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  22. 40. A Light Exists In Spring

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    Emily Dickinson was a famous American poet who lived during the 1800s. In addition to writing, she also studied botany, which could have been an influence in her poems about nature. This poem is about the light that illuminates all that's around it during spring. While this poem is about nature, it has a strong religious undertone, showing there are things science is unable to fully explain.

    A Light exists in Spring
    Not present on the Year
    At any other period --
    When March is scarcely here

    A Color stands abroad
    On Solitary Fields
    That Science cannot overtake
    But Human Nature feels.

    It waits upon the Lawn,
    It shows the furthest Tree
    Upon the furthest Slope you know
    It almost speaks to you.

    Then as Horizons step
    Or Noons report away
    Without the Formula of sound
    It passes and we stay --

    A quality of loss
    Affecting our Content
    As Trade had suddenly encroached
    Upon a Sacrament.

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    The poem depicts supremacy of nature. Nature is beyond natural laws. It's the underlying truth that nature poets communicate to us through their writings.

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