Poems by Paul Laurence Dunbar

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Invitation To Love

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"Invitation to Love" by Paul Laurence Dunbar is a welcoming poem that invites love to enter the speaker's life in all its forms. Whether it's during starry nights, moonlit evenings, or sunny days, love is embraced. It is described as sweet and gentle, compared to a nesting dove. The poem extends its invitation during moments of both sorrow and joy, in the changing seasons and natural beauty. The repeated refrain of "you are welcome, welcome" highlights the sincere openness to love's presence throughout life's diverse experiences.

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it to rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
Or when my heart is merry;
Come with the falling of the leaf
Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
And you are welcome, welcome.
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The Lesson

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In the poem "The Lesson" by Paul Laurence Dunbar, the speaker reflects on his own sadness and loneliness as he sits by his window, listening to the passionate song of a mockingbird in the cypress grove. The poet uses imagery to convey the deep emotions, describing his life as a "cold winter that knew no spring" and his mind as "weary and sick and wild." However, as he listens to the bird's song, a transformative thought enters his heart, inspiring him to use his own art to bring comfort to others. The poet employs metaphor, comparing the songs that emerge from the darkness of hearts to the joyous songs of the mockingbird in the cypress grove. Through his simple art of singing a lay, the speaker finds solace and realizes the power of comforting others to heal his own wounds

My cot was down by a cypress grove,
And I sat by my window the whole night long,
And heard well up from the deep dark wood
A mocking-bird's passionate song.

My cot was down by a cypress grove,
And I sat by my window the whole night long,
And heard well up from the deep dark wood
A mocking-bird's passionate song.

And I thought of myself so sad and lone,
And my life's cold winter that knew no spring;
Of my mind so weary and sick and wild,
Of my heart too sad to sing.

But e'en as I listened the mock-bird's song,
A thought stole into my saddened heart,
And I said, "I can cheer some other soul
By a carol's simple art."

For oft from the darkness of hearts and lives
Come songs that brim with joy and light,
As out of the gloom of the cypress grove
The mocking-bird sings at night.

So I sang a lay for a brother's ear
In a strain to soothe his bleeding heart,
And he smiled at the sound of my voice and lyre,
Though mine was a feeble art.

But at his smile I smiled in turn,
And into my soul there came a ray:
In trying to soothe another's woes
Mine own had passed away.
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Sympathy

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Paul Laurence Dunbar worked at the Library of Congress for slightly over a year from September 1897-December 1898. He was the first poet to give a poetry reading at the Library of Congress. During his time working there, he was inspired to write “Sympathy,” which was published the following year in a poetry collection. Paul Laurence Dunbar suffered from tuberculosis. Dealing with the dust of books in a hot and confined space negatively impacted his health. It made him feel like a bird stuck in a cage, calling out to be free to enjoy the wind, the grass, and the river. However, “Sympathy” also has a deeper symbolism of the oppression of African American people. Maya Angelou used the last line of this poem as the title of her bestselling autobiography.

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!
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If Paul Laurence Dunbar were still here on earth, I'd tell him how wonderful those words were in his poem called Sympathy. A bird needs to feel the wind beneath its wings, for the freedom...

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We Wear The Mask

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Both of Paul Laurence Dunbar’s parents were slaves, and he was born less than a decade after slavery became illegal. “We Wear the Mask” was published in 1896. Dunbar wrote about what it was like to be African American during the late 1800s and the pain experienced by the black community. In this poem, he writes about how the truth is not always what it appears to be when a mask is used. In addition to applying to race and society, this poem can be applied to any situation where someone uses a mask to hide the truth.

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
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A wonderful poem Paul Laurence Dunbar wrote many years ago, after slavery was abolished.
How it must have hurt to know his parents had been slaves...

Imagine the pain that slavery...

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Poems by Paul Laurence Dunbar

Invitation To Love

The Lesson

Sympathy

We Wear The Mask