Famous Love Poems

Classic Love Poems by Famous Poets

From the first prick of Cupid's arrow to the bitterness of heartbreak, poets throughout the ages have written on the mysteries of love. Their rhymes and allegories help us to better understand our emotions and sort the many ups and downs of love. Whether a simple crush or years of marriage, poetry throughout the centuries has helped express and illuminate the difficult sentiments of the heart. Turning to poetry can help us to put words to the passions and excitements that love inflames within us and to direct that fire to the forging and melding of two hearts together.

32 of the Best Famous Love Poems

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1. [i Carry Your Heart With Me(i Carry It In]

Edward Estlin Cummings (1894 - 1962) was a famous American Poet with an unusual style of writing. His name is frequently written in lowercase, e.e. cummings, and his poetry is probably best known for his unorthodox usage of both capitalization and punctuation, in which unexpected and seemingly misplaced punctuation sometimes interrupt sentences and even individual words.

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Top 100 6
- By E.E. Cummings
i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear;and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)
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2. If You Forget Me

This poem was written while Pablo Neruda was in exile from Chile, during which time he was also having an affair with Matilde Urrutia, the woman who would become his third wife. It is presumed the poem was written with Matilde in mind, perhaps while she was in his presence. This poem shows how when an individual consumes your thoughts, everything you see, hear, touch, or experience reminds you of that person. It also shows that love can only last when a relationship is cared for and not ignored. As soon as one person does not see it as important, the relationship begins to wither.

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Top 100 17
- By Pablo Neruda
I want you to know
one thing.

You know how this is:

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
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Once during the elective courses I teach - visualisation of poems by different poets- one of my students made a video artwork with her own drawings, illustrating this poem. It is one of the...

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3. I Love You

Ella Wheeler was born in 1850 on a farm in Wisconsin, the youngest of four children. She wrote numerous poems starting when she was 7 years old. During her life, Wilcox received many rejection letters before a publisher gave her books of poetry a chance. Despite these rejections, Wilcox remained very optimistic. Her best-known poetry book was Poems of Passion (1883). In her later years she went to France during World War 1 to lecture to the soldiers, and assist with the Red Cross.

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Top 100 18
- By Ella Wheeler Wilcox
I love your lips when they’re wet with wine
And red with a wild desire;
I love your eyes when the lovelight lies
Lit with a passionate fire.

I love your lips when they’re wet with wine
And red with a wild desire;
I love your eyes when the lovelight lies
Lit with a passionate fire.
I love your arms when the warm white flesh
Touches mine in a fond embrace;
I love your hair when the strands enmesh
Your kisses against my face.

Not for me the cold, calm kiss
Of a virgin’s bloodless love;
Not for me the saint’s white bliss,
Nor the heart of a spotless dove.
But give me the love that so freely gives
And laughs at the whole world’s blame,
With your body so young and warm in my arms,
It sets my poor heart aflame.

So kiss me sweet with your warm wet mouth,
Still fragrant with ruby wine,
And say with a fervor born of the South
That your body and soul are mine.
Clasp me close in your warm young arms,
While the pale stars shine above,
And we’ll live our whole young lives away
In the joys of a living love.
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I love "I Love You" by Ella Wheeler Wilcox. She tells it as it is when young hearts are lit with hearts on fire in the midst of desire. Love is meant to be happy and carefree. Heaven knows in...

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4. How Do I Love Thee?

"How Do I Love Thee?" is one of the poems that make up the forty-four poems of Sonnets from the Portuguese. They were written while she was still courting her future husband, Mr. Browning, between 1845 and 1846. She writes that the love she has for him is everlasting and consumes every part of her.

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Top 100 30
- By Elizabeth Barrett Browning
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, I love thee with the breath,
Smiles, tears, of all my life! and, if God choose,
I shall but love thee better after death.
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On August 25, 2017, the love of my life and I had been chatting while he shaved. I walked away, and I was gone 12 minutes. Sometime in those stupid 12 minutes he dropped to his knees and died...

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5. Invitation To Love

"Invitation to Love" by Paul Laurence Dunbar is a welcoming poem that invites love to enter the speaker's life in all its forms. Whether it's during starry nights, moonlit evenings, or sunny days, love is embraced. It is described as sweet and gentle, compared to a nesting dove. The poem extends its invitation during moments of both sorrow and joy, in the changing seasons and natural beauty. The repeated refrain of "you are welcome, welcome" highlights the sincere openness to love's presence throughout life's diverse experiences.

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Top 100 48
- By Paul Laurence Dunbar
Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it to rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
Or when my heart is merry;
Come with the falling of the leaf
Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
And you are welcome, welcome.
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6. When I Die I Want Your Hands On My Eyes

In this poem, the speaker talks about wanting his spouse to remember him after he passes, but he doesn’t want her to mourn his loss so much that she doesn’t continue living her life. Pablo Neruda was a Chilean poet who lived from 1904-1973, and his first wife did not speak his native language of Spanish. This poem is made up of quatrains (four-line poems) and tercets (three-line poems).

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Top 100 54
- By Pablo Neruda
When I die I want your hands on my eyes:
I want the light and the wheat of your beloved hands
to pass their freshness over me one more time
to feel the smoothness that changed my destiny.

When I die I want your hands on my eyes:
I want the light and the wheat of your beloved hands
to pass their freshness over me one more time
to feel the smoothness that changed my destiny.

I want you to live while I wait for you, asleep,
I want for your ears to go on hearing the wind,
for you to smell the sea that we loved together
and for you to go on walking the sand where we walked.

I want for what I love to go on living
and as for you I loved you and sang you above everything,
for that, go on flowering, flowery one,

so that you reach all that my love orders for you,
so that my shadow passes through your hair,
so that they know by this the reason for my song.
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While I feel the love that he has for his beloved, I find the last sentence of the last stanza of the poem physically difficult to read. It just feels awkward. It is very touching and...

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7. One Hundred Love Sonnets

Many of Pablo Neruda’s love poems helped him get known as an important Chilean poet. In this poem, he can’t fully explain his love, but he feels it deeply. It’s not one of show. Instead, it’s a love that’s simple and humble, a love that sees the beauty hidden within a person. The repetition of “I love you” brings attention to the poet’s desire to convey his feelings for the subject of this poem.

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Top 100 59
- By Pablo Neruda
I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I don’t love you as if you were a rose of salt, topaz,
or arrow of carnations that propagate fire:
I love you as one loves certain obscure things,
secretly, between the shadow and the soul.

I love you as the plant that doesn’t bloom but carries
the light of those flowers, hidden, within itself,
and thanks to your love the tight aroma that arose
from the earth lives dimly in my body.

I love you without knowing how, or when, or from where,
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,
except in this form in which I am not nor are you,
so close that your hand upon my chest is mine,
so close that your eyes close with my dreams.
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This poem touched my heart in ways that I didn't even know was possible. I never thought I would be able to understand my own heart as well as I do now. This poem completely captures the way...

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8. Love's Language

Ella Wheeler Wilcox (1850 - 1919) was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was "Solitude", which contains the lines: "Laugh, and the world laughs with you; Weep, and you weep alone". Her autobiography, The Worlds and I, was published in 1918, a year before her death.

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Top 100 68
- By Ella Wheeler Wilcox
How does Love speak?
In the faint flush upon the telltale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye--

How does Love speak?
In the faint flush upon the telltale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye--
The smile that proves the parent to a sigh
Thus doth Love speak.

How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache,
While new emotions, like strange barges, make
Along vein-channels their disturbing course;
Still as the dawn, and with the dawn's swift force--
Thus doth Love speak.

How does Love speak?
In the avoidance of that which we seek--
The sudden silence and reserve when near--
The eye that glistens with an unshed tear--
The joy that seems the counterpart of fear,
As the alarmed heart leaps in the breast,
And knows, and names, and greets its godlike guest--
Thus doth Love speak.

How does Love speak?
In the proud spirit suddenly grown meek--
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendor;
In the resemblance which the fond eyes trace
In all fair things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble--
Thus doth Love speak.

How does Love speak?
In the wild words that uttered seem so weak
They shrink ashamed in silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm;
In the deep, soulful stillness; in the warm,
Impassioned tide that sweeps through throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in the convulsive rapture of a kiss--
Thus doth Love speak.
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Beautiful, with lots of emotion by way of description. I think of the French poet Edmond Rostand's character Cyrano de Bergerac and the Russian playwright Anton Chekov, two very unique...

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9. Don't Go Far Off, Not Even For A Day

Pablo Neruda (1904-1973) writes this poem about the intense love between two people. A man is so strongly connected to his lover that he fears what will happen if she ever decides to leave. He doesn’t want her to be away from him, even for a day, for he doesn’t know how he will survive without her. Pablo Neruda, a Chilean poet, had three wives. This poem is made up of quatrains and tercets that contain descriptive language.

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Top 100 74
- By Pablo Neruda
Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't go far off, not even for a day, because --
because -- I don't know how to say it: a day is long
and I will be waiting for you, as in an empty station
when the trains are parked off somewhere else, asleep.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,

because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back? Will you leave me here, dying?
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10. Love Sonnet XI

In this sensual love poem, Pablo Neruda compares a hunting puma to desiring his lover. He is starving for her touch and love, and he is seeking after her. Pablo Neruda (1904-1973) was a Chilean poet well-known for his passionate love poems. He was married three times, and his first wife did not speak Spanish.

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Top 100 75
- By Pablo Neruda
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.

I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.

I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.

I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,

and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
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11. On Marriage

The poem "On Marriage" by Kahlil Gibran is a poignant exploration of the nature of love and partnership. Through the voice of the master, Gibran speaks to the eternal bond that exists between two people who choose to spend their lives together, even beyond death. However, the poem also cautions against the dangers of losing oneself completely in a relationship and emphasizes the importance of maintaining one's individuality while still cherishing and supporting their partner. Gibran's use of vivid imagery and metaphor creates a powerful and thought-provoking piece on the complexities of love and marriage.
The poem begins with these lines:
Then Almitra spoke again and said, And what of Marriage, master? And he answered saying:

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- By Kahlil Gibran
You were born together, and together you shall be forever more.
You shall be together when the white wings of death scatter your days.
Yes, you shall be together even in the silent memory of God.
But let there be spaces in your togetherness.

You were born together, and together you shall be forever more.
You shall be together when the white wings of death scatter your days.
Yes, you shall be together even in the silent memory of God.
But let there be spaces in your togetherness.
And let the winds of heaven dance between you.
Love one another, but make not a bond of love.
Let it rather be a moving sea between the shores of your souls.
Fill each other’s cup but drink not from one cup.
Give one another of your bread but eat not from the same loaf.
Sing and dance together and be joyous, but each one of you be
alone – even as the strings of a lute are alone though they quiver with the same music.
Give your hearts, but not in each other’s keeping.
For only the hand of Life can contain your hearts.
And stand together yet not too near together:
For the pillars of the temple stand apart,
And the oak tree and the Cyprus grow not in each other’s shadows
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12. A Red, Red Rose

In "A Red, Red Rose" by Robert Burns, the poet employs several poetic techniques to express the depth of his love and commitment. Through vivid imagery, he compares his love to a "red, red rose" that blooms freshly in June, evoking the beauty and fragility of nature. The use of simile in the opening lines enhances the romantic tone of the poem, likening his love to a sweet melody played in perfect harmony. Additionally, Burns utilizes repetition for emphasis, with the phrase "I will love thee still, my dear" recurring throughout the poem, reinforcing the everlasting nature of his affection. Through these poetic techniques, Burns eloquently conveys the enduring passion and devotion he feels for his beloved, promising to love her unconditionally until the end of time.

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- By Robert Burns
O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.

O my Luve is like a red, red rose
That’s newly sprung in June;
O my Luve is like the melody
That’s sweetly played in tune.

So fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun;
I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only luve!
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
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13. She Walks In Beauty

"She Walks in Beauty" by Lord Byron is a poem that admires the beauty of a woman. In the poem, Byron describes how the woman's appearance is both graceful and radiant. He compares her to the beauty of the night sky, praising her for her elegance and charm. Byron's words paint a picture of a woman who is both physically stunning and morally pure. The poem celebrates the idea that true beauty comes from within as well as from outward appearance. Overall, "She Walks in Beauty" is a tribute to the timeless allure of femininity.

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- By George Gordon, Lord Byron
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
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14. Wild Nights - Wild Nights!

"Wild Nights - Wild Nights!" by Emily Dickinson is a passionate expression of desire and longing. In this short yet powerful poem, Dickinson uses the imagery of a wild, untamed night to symbolize intense emotions and romantic yearning. The repetition of the phrase "Wild nights" emphasizes the speaker's excitement and fervor. Dickinson employs vivid language and evocative imagery to convey the intensity of the speaker's longing for love and connection. Despite its brevity, the poem captures the overwhelming nature of romantic passion and the sense of exhilaration that comes with it. Through its lyrical beauty and emotional depth, "Wild Nights - Wild Nights!" remains a timeless exploration of the complexities of love and desire.

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- By Emily Dickinson
Wild nights - Wild nights!
Were I with thee
Wild nights should be
Our luxury!

Wild nights - Wild nights!
Were I with thee
Wild nights should be
Our luxury!

Futile - the winds -
To a Heart in port -
Done with the Compass -
Done with the Chart!

Rowing in Eden -
Ah - the Sea!
Might I but moor - tonight -
In thee!
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15. Silence

This poem reflects the evolution of a relationship from its initial excitement to a deeper, more profound connection. The poet uses contrast and imagery to convey this transition. In the beginning, words are "many and vain," illustrating the excitement and eagerness to express newfound love. The use of "mystic land" as imagery signifies the deeper, almost magical understanding the couple reaches over time. The repetition of "Belovéd" emphasizes the enduring affection, while the shift to silence in the final lines symbolizes a mature, unspoken bond where words are no longer necessary because of mutual understanding.

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- By Jessie B. Rittenhouse
O many and vain, Belovéd,
The words I spoke to you
In those first wondering hours
When love was new!

O many and vain, Belovéd,
The words I spoke to you
In those first wondering hours
When love was new!

Now we have wandered together
Into a mystic land,
Now we are silent, Belovéd,
Because we understand.
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16. Love's Philosophy

The poem expresses the idea that everything in nature is interconnected and harmonious, with elements like rivers, oceans, winds, mountains, and waves blending together seamlessly. The poet compares these natural unions to the longing for a romantic connection with someone they love. They wonder why, if nature itself is so unified, they cannot be united with their beloved through a kiss.

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- By Percy Bysshe Shelley
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;

The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one spirit meet and mingle.
Why not I with thine?—

See the mountains kiss high heaven
And the waves clasp one another;
No sister-flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth
And the moonbeams kiss the sea:
What is all this sweet work worth
If thou kiss not me?
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17. Always Marry An April Girl

April is a month of tumultuous weather. Some days are dry, sunny, and pristine. Others are cold, stormy, and unenjoyable. Ogden Nash compares women to the month of April. They can be unpredictable. Sometimes they’re sweet and tender. Other times they’re cruel and angry, but in the end, they are loved for who they are.

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- By Ogden Nash
Praise the spells and bless the charms,
I found April in my arms.
April golden, April cloudy,
Gracious, cruel, tender, rowdy;

Praise the spells and bless the charms,
I found April in my arms.
April golden, April cloudy,
Gracious, cruel, tender, rowdy;
April soft in flowered languor,
April cold with sudden anger,
Ever changing, ever true --
I love April, I love you.
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18. I Wish I Could Remember That First Day

In "I Wish I Could Remember That First Day" by Christina Rossetti, the speaker expresses a longing to remember the details of their first meeting with someone special. The speaker reflects on the passing of that significant moment, regretting their lack of awareness and inability to foresee the importance it would hold. The poem captures the bittersweet feeling of realizing the significance of a past event that was initially overlooked or taken for granted. The speaker yearns to recollect the touch of that first encounter, emphasizing the power and significance of human connection.

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- By Christina Rossetti
I wish I could remember that first day,
First hour, first moment of your meeting me,
If bright or dim the season, it might be
Summer or winter for aught I can say;

I wish I could remember that first day,
First hour, first moment of your meeting me,
If bright or dim the season, it might be
Summer or winter for aught I can say;
So unrecorded did it slip away,
So blind was I to see and to foresee,
So dull to mark the budding of my tree
That would not blossom yet for many a May.
If only I could recollect it, such
A day of days! I let it come and go
As traceless as a thaw of bygone snow;
It seem'd to mean so little, meant so much;
If only now I could recall that touch,
First touch of hand in hand--Did one but know!
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19. Love Song For Lucinda

The poem explores love through vivid imagery and cautionary advice. Love is likened to a ripe plum growing on a purple tree, enticing and enchanting those who taste it. Similarly, love is compared to a bright star in the Southern skies, captivating but potentially overwhelming if looked at too intently. Finally, love is likened to a high mountain in a windy sky, suggesting that while love can offer exhilarating highs, it's important not to push oneself too far or risk losing one's balance. Through these metaphors, Hughes offers insights into the complexities and dangers of love, urging readers to approach it with caution and moderation.

Famous Poem
- By Langston Hughes
Love
Is a ripe plum
Growing on a purple tree.
Taste it once

Love
Is a ripe plum
Growing on a purple tree.
Taste it once
And the spell of its enchantment
Will never let you be.

Love
Is a bright star
Glowing in far Southern skies.
Look too hard
And its burning flame
Will always hurt your eyes.

Love
Is a high mountain
Stark in a windy sky.
If you
Would never lose your breath
Do not climb too high.
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20. Somewhere I Have Never Travelled, Gladly Beyond

E.E. Cummings (1894-1962) was an American poet. He had his own unique writing style where he didn’t use spaces after commas or capital letters where appropriate. E.E. Cummings did not give his poems titles, so editors would generally take the first line of his poems to create titles. In this poem, the speaker is head-over-heels in love. His lover has complete control over him, and she constantly amazes him. Similes, personification, and alliteration can be found in this piece. It is made up of quatrains that do not follow a rhyme scheme.

Famous Poem
- By E.E. Cummings
somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
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This poem is the one that did it! I read this along with my class, in seventh grade, and was forever inspired by the way Cummings uses words to create this picture of love and roses. He uses...

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1 - 20 of 32

Famous Love Poems

Classic Love Poems by Famous Poets

32 of the Best Famous Love Poems

1. [i Carry Your Heart With Me(i Carry It In]

2. If You Forget Me

3. I Love You

4. How Do I Love Thee?

"How Do I Love Thee?" is one of the poems that make up the forty-four poems of Sonnets from the Portuguese. They were written while she was still courting her future husband, Mr. Browning, between 1845 and 1846. She writes that the love she has for him is everlasting and consumes every part of her.

5. Invitation To Love

6. When I Die I Want Your Hands On My Eyes

7. One Hundred Love Sonnets

8. Love's Language

9. Don't Go Far Off, Not Even For A Day

10. Love Sonnet XI

11. On Marriage

12. A Red, Red Rose

13. She Walks In Beauty

14. Wild Nights - Wild Nights!

15. Silence

16. Love's Philosophy

17. Always Marry An April Girl

18. I Wish I Could Remember That First Day

19. Love Song For Lucinda

20. Somewhere I Have Never Travelled, Gladly Beyond