Famous Sad Poems - Page 2

21 - 38 of 38 Poems

  1. 21. The Lesson

    Famous Poem

    In the poem "The Lesson" by Paul Laurence Dunbar, the speaker reflects on his own sadness and loneliness as he sits by his window, listening to the passionate song of a mockingbird in the cypress grove. The poet uses imagery to convey the deep emotions, describing his life as a "cold winter that knew no spring" and his mind as "weary and sick and wild." However, as he listens to the bird's song, a transformative thought enters his heart, inspiring him to use his own art to bring comfort to others. The poet employs metaphor, comparing the songs that emerge from the darkness of hearts to the joyous songs of the mockingbird in the cypress grove. Through his simple art of singing a lay, the speaker finds solace and realizes the power of comforting others to heal his own wounds

    My cot was down by a cypress grove,
    And I sat by my window the whole night long,
    And heard well up from the deep dark wood
    A mocking-bird's passionate song.

    And I thought of myself so sad and lone,
    And my life's cold winter that knew no spring;
    Of my mind so weary and sick and wild,
    Of my heart too sad to sing.

    But e'en as I listened the mock-bird's song,
    A thought stole into my saddened heart,
    And I said, "I can cheer some other soul
    By a carol's simple art."

    For oft from the darkness of hearts and lives
    Come songs that brim with joy and light,
    As out of the gloom of the cypress grove
    The mocking-bird sings at night.

    So I sang a lay for a brother's ear
    In a strain to soothe his bleeding heart,
    And he smiled at the sound of my voice and lyre,
    Though mine was a feeble art.

    But at his smile I smiled in turn,
    And into my soul there came a ray:
    In trying to soothe another's woes
    Mine own had passed away.

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  3. 22. Bluebird

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    Charles Bukowski's poem "Bluebird" explores the poet's internal struggle to suppress his vulnerable emotions. There is a bluebird residing in his heart, yearning to be set free, yet the speaker's toughness and fear of exposing his true self prevent it from escaping. He resorts to numbing the bird's presence with whiskey, smoke, and distractions from the outside world. The poem reveals a complex relationship between the speaker and the bluebird, with moments of tenderness and acknowledgment. Their secret bond brings solace, evoking powerful emotions that resonate deeply, leaving readers to contemplate their own capacity for vulnerability.

    there's a bluebird in my heart that
    wants to get out
    but I'm too tough for him,
    I say, stay in there, I'm not going
    to let anybody see
    you.
    there's a bluebird in my heart that
    wants to get out
    but I pour whiskey on him and inhale
    cigarette smoke
    and the whores and the bartenders
    and the grocery clerks
    never know that
    he's
    in there.

    there's a bluebird in my heart that
    wants to get out
    but I'm too tough for him,
    I say,
    stay down, do you want to mess
    me up?
    you want to screw up the
    works?
    you want to blow my book sales in
    Europe?
    there's a bluebird in my heart that
    wants to get out
    but I'm too clever, I only let him out
    at night sometimes
    when everybody's asleep.
    I say, I know that you're there,
    so don't be
    sad.
    then I put him back,
    but he's singing a little
    in there, I haven't quite let him
    die
    and we sleep together like
    that
    with our
    secret pact
    and it's nice enough to
    make a man
    weep, but I don't
    weep, do
    you?

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  5. 23. The Rainy Day

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    "The Rainy Day" by Henry Wadsworth Longfellow is a melancholic poem about the feelings of sadness. The poem uses imagery and metaphor to depict the bleakness of a rainy day. The wind and rain symbolize the constant struggles and difficulties in life, and the fallen leaves represent lost hopes and dreams. The poet tries to find comfort in the idea that everyone experiences hardships in life, but the sadness still lingers. The rhyme scheme used in the poem is ABAAB. The message is that life can be dark and difficult, but one must keep hope and find the sunshine behind the clouds.

    The day is cold, and dark, and dreary
    It rains, and the wind is never weary;
    The vine still clings to the mouldering wall,
    But at every gust the dead leaves fall,
    And the day is dark and dreary.

    My life is cold, and dark, and dreary;
    It rains, and the wind is never weary;
    My thoughts still cling to the mouldering Past,
    But the hopes of youth fall thick in the blast,
    And the days are dark and dreary.

    Be still, sad heart! and cease repining;
    Behind the clouds is the sun still shining;
    Thy fate is the common fate of all,
    Into each life some rain must fall,
    Some days must be dark and dreary.

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  6. 24. London

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    In the streets of London, William Blake paints a portrait of a city burdened with suffering and oppression. From the marked faces of weakness and woe to the cries of anguish and the shackles of the mind, he captures the harsh realities of a society where even the most vulnerable, like chimney sweepers and soldiers, bear the weight of their circumstances. Amidst the curses of harlots and the tears of infants, Blake reveals the dark underbelly that plagues the institution of marriage. Through his poignant words, he offers a glimpse into the complex tapestry of London's existence.

    I wander thro' each charter'd street,
    Near where the charter'd Thames does flow.
    And mark in every face I meet
    Marks of weakness, marks of woe.

    In every cry of every Man,
    In every Infants cry of fear,
    In every voice: in every ban,
    The mind-forg'd manacles I hear

    How the Chimney-sweepers cry
    Every blackning Church appalls,
    And the hapless Soldiers sigh
    Runs in blood down Palace walls

    But most thro' midnight streets I hear
    How the youthful Harlots curse
    Blasts the new-born Infants tear
    And blights with plagues the Marriage hearse

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  7. 25. The Genius Of The Crowd

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    Charles Bukowski (1920-1994) warns of people who say one thing but have actions that show something different. The hypocrisy of these people is extremely dangerous, and their hatred creates an incredible amount of destruction. Charles used his writing to shed light on the less glorious parts of urban life. Some people were offended by his writing style, but he held back nothing.

    There is enough treachery, hatred violence absurdity in the average
    Human being to supply any given army on any given day

    And the best at murder are those who preach against it
    And the best at hate are those who preach love
    And the best at war finally are those who preach peace

    Those who preach god, need god
    Those who preach peace do not have peace
    Those who preach peace do not have love

    Beware the preachers
    Beware the knowers
    Beware those who are always reading books
    Beware those who either detest poverty
    Or are proud of it
    Beware those quick to praise
    For they need praise in return
    Beware those who are quick to censor
    They are afraid of what they do not know
    Beware those who seek constant crowds for
    They are nothing alone
    Beware the average man the average woman
    Beware their love, their love is average
    Seeks average

    But there is genius in their hatred
    There is enough genius in their hatred to kill you
    To kill anybody
    Not wanting solitude
    Not understanding solitude
    They will attempt to destroy anything
    That differs from their own
    Not being able to create art
    They will not understand art
    They will consider their failure as creators
    Only as a failure of the world
    Not being able to love fully
    They will believe your love incomplete
    And then they will hate you
    And their hatred will be perfect

    Like a shining diamond
    Like a knife
    Like a mountain
    Like a tiger
    Like hemlock

    Their finest art

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  8. 26. The New Moon

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    In Sara Teasdale's "The New Moon," the poet reflects on a day of hardship and struggle. Through the use of vivid imagery and personification, the poem portrays the day as a force that has physically and emotionally wounded her. However, amidst the bleakness, the poet discovers a glimmer of hope in the form of a delicate new moon. This celestial presence, described as a "maiden moon," brings beauty and inspiration, challenging bitterness and despair. Teasdale's skillful use of contrast and the moon's symbolism creates a sense of resilience and the power of finding solace in moments of darkness.

    Day, you have bruised and beaten me,
    As rain beats down the bright, proud sea,
    Beaten my body, bruised my soul,
    Left me nothing lovely or whole—
    Yet I have wrested a gift from you,
    Day that dies in dusky blue:

    For suddenly over the factories
    I saw a moon in the cloudy seas—
    A wisp of beauty all alone
    In a world as hard and gray as stone—
    Oh who could be bitter and want to die
    When a maiden moon wakes up in the sky?

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  9. 27. Work

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    When we look at our work as a burden, we can quickly become discouraged and discontent. Often, people wish they didn't have to work, but there's a blessing in being able to work. To have a job is to have a gift. Henry van Dyke (1852-1933) challenges himself and others to change the way we look at our jobs. Even when work is challenging, exhausting, tedious, or overwhelming, let's look at the blessing we have.

    Let me but do my work from day to day,
    In field or forest, at the desk or loom,
    In roaring market-place or tranquil room;
    Let me but find it in my heart to say,
    When vagrant wishes beckon me astray,
    "This is my work; my blessing, not my doom;
    "Of all who live, I am the one by whom
    "This work can best be done in the right way."

    Then shall I see it not too great, nor small,
    To suit my spirit and to prove my powers;
    Then shall I cheerful greet the labouring hours,
    And cheerful turn, when the long shadows fall
    At eventide, to play and love and rest,
    Because I know for me my work is best.

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  10. 28. Windows

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    You’ve probably heard the saying, “The grass is greener on the other side.” This poem captures that sentiment. Often, we look longingly at what others have while looking down on what is ours. The irony is that others see such beauty in what we have.

    I looked through others' windows
        On an enchanted earth,
    But out of my own window-
        Solitude and dearth.

    And yet there is a mystery
        I cannot understand-
    That others through my window
        See an enchanted land.

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  11. 29. Never Shall I Forget

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    "Never Shall I Forget" by Elie Wiesel is a poem about the Holocaust and the atrocities committed against the Jewish people. Elie Wiesel writes about his personal experiences as a prisoner in Nazi concentration camps, the horrors committed during the Holocaust and the lasting impact they had on the him. The poem is written in a simple, direct style and uses vivid imagery to convey the unimaginable horrors of the camps. The repetition of the phrase "Never shall I forget" serves to emphasize the emotional impact of the memories and the importance of remembering the past in order to learn from it and prevent antisemitic hatred from arising again.



    Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed.
    Never shall I forget that smoke.
    Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.
    Never shall I forget those flames that consumed my faith for ever.
    Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.
    Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.
    Never shall I forget those things, even were I condemned to live
    as long as God Himself.
    Never.

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  12. 30. I Sit And Look Out

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    “I Sit and Look Out” captures the corruption of the world. Walt Whitman, an influential American poet, lived in the 1800s, a time that saw things like political slander, Trail of Tears, slavery, and the Civil War. In this poem, the speaker is merely an onlooker, not someone to get involved in all these negative affairs of society. However, readers might be inspired to do their part to create a positive influence on the world that will lessen the destruction.

    I SIT and look out upon all the sorrows of the world, and upon all
            oppression and shame;
    I hear secret convulsive sobs from young men, at anguish with
            themselves, remorseful after deeds done;
    I see, in low life, the mother misused by her children, dying,
            neglected, gaunt, desperate;
    I see the wife misused by her husband—I see the treacherous seducer
            of young women;
    I mark the ranklings of jealousy and unrequited love, attempted to be
            hid—I see these sights on the earth;
    I see the workings of battle, pestilence, tyranny—I see martyrs and
            prisoners;
    I observe a famine at sea—I observe the sailors casting lots who
            shall be kill'd, to preserve the lives of the rest;
    I observe the slights and degradations cast by arrogant persons upon
            laborers, the poor, and upon negroes, and the like;
    All these—All the meanness and agony without end, I sitting, look
            out upon,
    See, hear, and am silent.

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  13. 31. This, Too, Will Pass

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    A comforting poem that speaks about the resilience of the human spirit. Crowell uses repetition and personification, to convey her message of hope and encouragement in the face of difficulties. The repetition of the phrase "this too" at the beginning of each line emphasizes her idea that whatever challenges we are facing are temporary and will eventually pass. The personification of the "tiresome road" and the "heavy load" we may carry speaks to the human experience of struggling through difficult times. Overall, the poem serves as a reminder that strength and determination can help us overcome obstacles and that hope can sustain us through very difficult times.

    This, too, will pass.
    O heart, say it over and over,
    Out of your deepest sorrow,
    out of your deepest grief,
    No hurt can last forever--
    Perhaps tomorrow will bring relief.

    This, too, will pass.
    It will spend itself--
    Its fury will die as the wind dies down
    with the setting sun;
    Assuaged and calm, you will rest again,
    Forgetting a thing that is done.

    Repeat it again and again,
    O heart, for your comfort;
    This, too, will pass
    as surely as passed before
    The old forgotten pain, and the other sorrows
    That once you bore.

    As certain as stars at night,
    or dawn after darkness,
    Inherent as the lift of the blowing grass,
    Whatever your despair or your frustration--
    This, too, will pass.

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  14. 32. After Auschwitz

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    Anne Sexton's poem "After Auschwitz" is a powerful emotional response to the Holocaust and slaughter of 6 million innocent Jewish men, women and children.. The speaker expresses anger towards the atrocities committed and questions why death doesn't seem to take those who deserve it. She condemns the men responsible for the Holocaust and suggests that all humanity must now bear guilt. For the depravity that the Nazis exhibited, demonstrated that all of us are capable of the same and that is a burden humanity must forever bear.

    Anger,
    as black as a hook,
    overtakes me.
    Each day,
    each Nazi
    took, at 8:00 A.M., a baby
    and sauteed him for breakfast
    in his frying pan.

    And death looks on with a casual eye
    and picks at the dirt under his fingernail.

    Man is evil,
    I say aloud.
    Man is a flower
    that should be burnt,
    I say aloud.
    Man
    is a bird full of mud,
    I say aloud.

    And death looks on with a casual eye
    and scratches his anus.

    Man with his small pink toes,
    with his miraculous fingers
    is not a temple
    but an outhouse,
    I say aloud.
    Let man never again raise his teacup.
    Let man never again write a book.
    Let man never again put on his shoe.
    Let man never again raise his eyes,
    on a soft July night.
    Never. Never. Never. Never. Never.
    I say those things aloud.

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  15. 33. The Room Of My Life

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    Anne Sexton is a famous poet known for writing about challenging topics, often expressing despair in her work. In the poem "Room of Life," she reveals the troubled life she led through vivid imagery, including objects that seem to take on a life of their own. Sexton sees each object in her room as a reflection of her own life, including the books, the typewriter, the phone, and even the windows. She feeds both the world outside and her own inner world, but she struggles to find meaning in her existence.

    Here,
    in the room of my life
    the objects keep changing.
    Ashtrays to cry into,
    the suffering brother of the wood walls,
    the forty-eight keys of the typewriter
    each an eyeball that is never shut,
    the books, each a contestant in a beauty contest,   
    the black chair, a dog coffin made of Naugahyde,   
    the sockets on the wall
    waiting like a cave of bees,
    the gold rug
    a conversation of heels and toes,
    the fireplace
    a knife waiting for someone to pick it up,
    the sofa, exhausted with the exertion of a whore,   
    the phone
    two flowers taking root in its crotch,
    the doors
    opening and closing like sea clams,
    the lights
    poking at me,
    lighting up both the soil and the laugh.
    The windows,
    the starving windows
    that drive the trees like nails into my heart.   
    Each day I feed the world out there
    although birds explode
    right and left.
    I feed the world in here too,
    offering the desk puppy biscuits.
    However, nothing is just what it seems to be.   
    My objects dream and wear new costumes,
    compelled to, it seems, by all the words in my hands   
    and the sea that bangs in my throat.

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  16. 34. One Art

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    Possibly her most famous poem, Elizabeth Bishop's,"One Art" is a villanelle, a 6 stanza poem that consists of five tercets (3 line stanzas), and one concluding quatrain (4 line stanza). For more about this challenging poetry form see How To Write a Villanelle.
    This poem is about loss and starts off light with a touch of humor, but loss is certainly not a humorous topic and as the stanzas go on the losses mount. Losing our most precious possessions, our friends and loved ones is a most difficult burden. Bishop lost both her parents as a child. Her father died when she was an infant and her mother was committed to an Insane Asylum when she was five. She never saw her mother again and grew up in the homes of various relatives.

    The art of losing isn’t hard to master;
    so many things seem filled with the intent
    to be lost that their loss is no disaster.

    Lose something every day. Accept the fluster
    of lost door keys, the hour badly spent.
    The art of losing isn’t hard to master.

    Then practice losing farther, losing faster:
    places, and names, and where it was you meant
    to travel. None of these will bring disaster.

    I lost my mother’s watch. And look! my last, or
    next-to-last, of three loved houses went.
    The art of losing isn’t hard to master.

    I lost two cities, lovely ones. And, vaster,
    some realms I owned, two rivers, a continent.
    I miss them, but it wasn’t a disaster.

    —Even losing you (the joking voice, a gesture
    I love) I shan’t have lied.  It’s evident
    the art of losing’s not too hard to master
    though it may look like (Write it!) like disaster.

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  17. 35. Circus In Three Rings

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    Sylvia Plath was an American poet who lived from 1932-1963. Sylvia’s dad died during her childhood, and her husband left her for another woman. She experienced heartbreak and depression that ultimately led to her commit suicide at the age of 30. Her poetry was raw and honest, which can be seen in the chaos she captures in this poem. First published in The Atlantic Monthly in 1955, the hurricane mentioned in the poem could be compared to the personal struggles that swirled inside of her.

    In the circus tent of a hurricane
    designed by a drunken god
    my extravagant heart blows up again
    in a rampage of champagne-colored rain
    and the fragments whir like a weather vane
    while the angels all applaud.

    Daring as death and debonair
    I invade my lion's den;
    a rose of jeopardy flames in my hair
    yet I flourish my whip with a fatal flair
    defending my perilous wounds with a chair
    while the gnawings of love begin.

    Mocking as Mephistopheles,
    eclipsed by magician's disguise,
    my demon of doom tilts on a trapeze,
    winged rabbits revolving about his knees,
    only to vanish with devilish ease
    in a smoke that sears my eyes.

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  18. 36. An Irish Airman Foresees His Death

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    William Butler Yeats (1865-1939) was an Irish poet. This poem was written in 1918, near the end of World War I, and published the following year. In it, the speaker is coming to terms with the reality that he could die in the war. The speaker shares that the war will not make life better or worse. William Butler Yeats was highly involved in Ireland's politics, but the speaker of this poem did not fight in the war for political reasons. Instead, it was an “impulse of delight.” This poem does not have any stanza breaks, but it does follow the ABAB rhyme scheme.

    I know that I shall meet my fate
    Somewhere among the clouds above;
    Those that I fight I do not hate,
    Those that I guard I do not love;
    My country is Kiltartan Cross,
    My countrymen Kiltartan’s poor,
    No likely end could bring them loss
    Or leave them happier than before.
    Nor law, nor duty bade me fight,
    Nor public men, nor cheering crowds,
    A lonely impulse of delight
    Drove to this tumult in the clouds;
    I balanced all, brought all to mind,
    The years to come seemed waste of breath,
    A waste of breath the years behind
    In balance with this life, this death.

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  19. 37. Miss Rosie

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    Lucille Clifton was an American poet who lived from 1936-2010. Many of her poems show a theme of having strength through adversity. In this poem, a passerby finds Miss Rosie along the street, and she hurls insult after insult at the homeless lady. But this old lady used to be the most beautiful lady in all of Georgia. The last line of the poem changes the tone that was used at the beginning.

    when I watch you
    wrapped up like garbage
    sitting, surrounded by the smell
    of too old potato peels
    or
    when I watch you
    in your old man's shoes
    with the little toe cut out
    sitting, waiting for your mind
    like next week's grocery
    I say
    when I watch you
    you wet brown bag of a woman
    who used to be the best looking gal in Georgia
    used to be called the Georgia Rose
    I stand up
    through your destruction
    I stand up

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  20. 38. I Sit Beside The Fire And Think

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    The poem is from the perspective of an older person reflects on the past summers and autumns, while acknowledging the inevitability of winter and the unknown future. The poem uses repetition, to create a reflective and contemplative mood. The vivid imagery of nature serves to evoke a sense of nostalgia and emphasize the fleeting nature of life. Overall, the poem is about the passage of time and the transience of human existence.

    I sit beside the fire and think
    of all that I have seen
    of meadow-flowers and butterflies
    in summers that have been;

    Of yellow leaves and gossamer
    in autumns that there were,
    with morning mist and silver sun
    and wind upon my hair.

    I sit beside the fire and think
    of how the world will be
    when winter comes without a spring
    that I shall ever see.

    For still there are so many things
    that I have never seen:
    in every wood in every spring
    there is a different green.

    I sit beside the fire and think
    of people long ago
    and people who will see a world
    that I shall never know.

    But all the while I sit and think
    of times there were before,
    I listen for returning feet
    and voices at the door.

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