Famous Sad Poems

Famous Sad Poems

The Saddest Classic Poems

Coping with sadness can be quite a challenge. Many famous poets understood that whether one feels sadness because of a breakup, the loss of a loved one, illness, or another of life's many injustices, one of the best ways to vent this complicated emotion is through poetry. Many famous poets used their words to turn sadness into something tangible, making it easier to understand. Poems that deal with sadness have often helped their writers to identify the true source of their sadness. They can also help readers to feel understood and less alone.

38 Poems about Sadness and Depression by Famous Poets

  1. 1. Solitude

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    "Solitude" is Ella Wheeler Wilcox's most famous poem. The idea for the poem came as she was traveling to Madison, Wisconsin, to attend the Governor's inaugural ball. On her way to the celebration, there was a young woman dressed in black sitting across the aisle from her. The woman was crying. Miss Wheeler sat next to her and sought to comfort her for the rest of the journey. When they arrived, the poet was so unhappy that she could barely attend the festivities. As she looked at her own face in the mirror, she suddenly recalled the sorrowful widow. It was at that moment that she wrote the opening lines of "Solitude." It was first published in an 1883 issue of The New York Sun.

    Laugh, and the world laughs with you;
        Weep, and you weep alone;
    For the sad old earth must borrow its mirth,
        But has trouble enough of its own.
    Sing, and the hills will answer;
        Sigh, it is lost on the air;
    The echoes bound to a joyful sound,
        But shrink from voicing care.

    Rejoice, and men will seek you;
        Grieve, and they turn and go;
    They want full measure of all your pleasure,
        But they do not need your woe.
    Be glad, and your friends are many;
        Be sad, and you lose them all,
    There are none to decline your nectared wine,
        But alone you must drink life's gall.

    Feast, and your halls are crowded;
        Fast, and the world goes by.
    Succeed and give, and it helps you live,
        But no man can help you die.
    There is room in the halls of pleasure
        For a large and lordly train,
    But one by one we must all file on
        Through the narrow aisles of pain.

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  3. 2. Alone

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    The poem "Alone" was written by Edgar Allan Poe (January 19, 1809 - October 7, 1849) in 1829. It was written by Poe when he was only 20 and describes his own inner torment at that young age. The poem was not published until 1875, long after his death.

    From childhood’s hour I have not been
    As others were—I have not seen
    As others saw—I could not bring
    My passions from a common spring—
    From the same source I have not taken
    My sorrow—I could not awaken
    My heart to joy at the same tone—
    And all I lov’d—I lov’d alone—
    Then—in my childhood—in the dawn
    Of a most stormy life—was drawn
    From ev’ry depth of good and ill
    The mystery which binds me still—
    From the torrent, or the fountain—
    From the red cliff of the mountain—
    From the sun that ‘round me roll’d
    In its autumn tint of gold—
    From the lightning in the sky
    As it pass’d me flying by—
    From the thunder, and the storm—
    And the cloud that took the form
    (When the rest of Heaven was blue)
    Of a demon in my view—

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    This poem touches the old scarred-over wound in my soul. Though I'm old now, when I read it - that old pain I know returns - and it bitterly breaks my heart. But not for self-pity! ...

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  5. 3. Richard Cory

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    A narrative poem, "Richard Cory" was first published in 1897, as part of The Children of the Night. It is one of Robinson's most popular and published poems. The poem describes a person who is wealthy, well-educated, mannerly, and admired by the people in his town. Despite all this, he takes his own life.

    Whenever Richard Cory went down town,
    We people on the pavement looked at him:
    He was a gentleman from sole to crown,
    Clean favored, and imperially slim.

    And he was always quietly arrayed,
    And he was always human when he talked;
    But still he fluttered pulses when he said,
    "Good-morning," and he glittered when he walked.

    And he was rich - yes, richer than a king -
    And admirably schooled in every grace:
    In fine, we thought that he was everything
    To make us wish that we were in his place.

    So on we worked, and waited for the light,
    And went without the meat, and cursed the bread;
    And Richard Cory, one calm summer night,
    Went home and put a bullet through his head.

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  6. 4. I Measure Every Grief I Meet

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    In this poem, the speaker compares her grief to the grief of those around her. She talks about the different types of grief and tries to make this emotion tangible. Emily Dickinson’s poems have consistent components, and this poem follows many of them: dashes, capitals in the middle of lines, and four-line stanzas.

    I measure every Grief I meet
    With narrow, probing, eyes –
    I wonder if It weighs like Mine –
    Or has an Easier size.

    I wonder if They bore it long –
    Or did it just begin –
    I could not tell the Date of Mine –
    It feels so old a pain –

    I wonder if it hurts to live –
    And if They have to try –
    And whether – could They choose between –
    It would not be – to die –

    I note that Some – gone patient long –
    At length, renew their smile – 
    An imitation of a Light
    That has so little Oil –

    I wonder if when Years have piled – 
    Some Thousands – on the Harm – 
    That hurt them early – such a lapse
    Could give them any Balm – 

    Or would they go on aching still
    Through Centuries of Nerve –
    Enlightened to a larger Pain – 
    In Contrast with the Love – 

    The Grieved – are many – I am told – 
    There is the various Cause – 
    Death – is but one – and comes but once – 
    And only nails the eyes – 

    There's Grief of Want – and grief of Cold – 
    A sort they call "Despair" – 
    There's Banishment from native Eyes –
    In sight of Native Air – 

    And though I may not guess the kind – 
    Correctly – yet to me
    A piercing Comfort it affords
    In passing Calvary – 

    To note the fashions – of the Cross – 
    And how they're mostly worn – 
    Still fascinated to presume
    That Some – are like my own –

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  7. 5. A Hero

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    Robert William Service was a British-Canadian author who lived from 1874-1958. He spent much of his early career years as a banker, but his dream was to be a cowboy. This poem shows the dark side of a person, someone who wishes to kill another, and in the end decides it's better to kill himself.

    Three times I had the lust to kill,
    To clutch a throat so young and fair,
    And squeeze with all my might until
    No breath of being lingered there.
    Three times I drove the demon out,
    Though on my brow was evil sweat. . . .
    And yet I know beyond a doubt
    He'll get me yet, he'll get me yet.

    I know I'm mad, I ought to tell
    The doctors, let them care for me,
    Confine me in a padded cell
    And never, never set me free;
    But Oh how cruel that would be!
    For I am young - and comely too . . .
    Yet dim my demon I can see,
    And there is but one thing to do.

    Three times I beat the foul fiend back;
    The fourth, I know he will prevail,
    And so I'll seek the railway track
    And lay my head upon the rail,
    And sight the dark and distant train,
    And hear its thunder louder roll,
    Coming to crush my cursed brain . . .
    Oh God, have mercy on my soul!

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  8. 6. We Wear The Mask

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    Both of Paul Laurence Dunbar’s parents were slaves, and he was born less than a decade after slavery became illegal. “We Wear the Mask” was published in 1896. Dunbar wrote about what it was like to be African American during the late 1800s and the pain experienced by the black community. In this poem, he writes about how the truth is not always what it appears to be when a mask is used. In addition to applying to race and society, this poem can be applied to any situation where someone uses a mask to hide the truth.

    We wear the mask that grins and lies,
    It hides our cheeks and shades our eyes,—
    This debt we pay to human guile;
    With torn and bleeding hearts we smile,
    And mouth with myriad subtleties.

    Why should the world be over-wise,
    In counting all our tears and sighs?
    Nay, let them only see us, while
           We wear the mask.

    We smile, but, O great Christ, our cries
    To thee from tortured souls arise.
    We sing, but oh the clay is vile
    Beneath our feet, and long the mile;
    But let the world dream otherwise,
           We wear the mask!

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    A wonderful poem Paul Laurence Dunbar wrote many years ago, after slavery was abolished. How it must have hurt to know his parents had been slaves... Imagine the pain that slavery...

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  9. 7. Mirror

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    Sylvia Plath was an American author and poet who lived from 1932-1963. She was a driven person, and she graduated summa cum laude from Smith College in 1955. Despite her success, Plath struggled with depression, and committed suicide in 1963. This poem shows the struggle a woman has with her identity as she grows older and begins to lose her youthfulness. It also uses personification by giving human characteristics to the mirror.

    I am silver and exact. I have no preconceptions.
    Whatever I see I swallow immediately
    Just as it is, unmisted by love or dislike.
    I am not cruel, only truthful,
    The eye of a little god, four-cornered.
    Most of the time I meditate on the opposite wall.
    It is pink, with speckles. I have looked at it so long
    I think it is part of my heart. But it flickers.
    Faces and darkness separate us over and over.

    Now I am a lake. A woman bends over me,
    Searching my reaches for what she really is.
    Then she turns to those liars, the candles or the moon.
    I see her back, and reflect it faithfully.
    She rewards me with tears and an agitation of hands.
    I am important to her. She comes and goes.
    Each morning it is her face that replaces the darkness.
    In me she has drowned a young girl, and in me an old woman
    Rises toward her day after day, like a terrible fish.

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    A mirror never lies. It shows what is what exactly. Just as Plath writes: "I am silver and exact". The truth of our mortality is what we keep on negating and the speaker too finds it hard to...

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  10. 8. Fire And Ice

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    A poem about the end of days, when the world will end by either fire or ice. "Fire and Ice" is one of Robert Frost's most popular poems. It was first published in 1920 in Harper's Magazine.

    Some say the world will end in fire,
    Some say in ice.
    From what I've tasted of desire
    I hold with those who favor fire.
    But if it had to perish twice,
    I think I know enough of hate
    To say that for destruction ice
    Is also great
    And would suffice.

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    Robert Frost is a poet of great repute. It is not within our jurisdiction to comment on such a literary giant. However, in view of your invitation, I would say that he might have been in...

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  11. 9. It's Fine Today

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    In this world, we face troubles of many kinds. Things are not always going to go our way. Some people wallow in that misery, but others have a positive perspective and can push past the trouble they face. What makes the difference? Douglas Malloch (1877-1938) shares the answer in this poem. When we don’t focus on our problems, they get smaller and smaller. We can’t worry about what happened in the past or what could happen in the future. Instead, we need to look at what is positive for us today. Douglas Malloch came from simple roots, and that simplicity is seen in the dialect of this poem.

    Sure, this world is full of trouble
         I ain't said it ain't.
    Lord, I've had enough and double
         Reason for complaint;
    Rain and storm have come to fret me,
         Skies are often gray;
    Thorns and brambles have beset me
         On the road — but say,
         Ain't it fine today?

    What's the use of always weepin',
         Making trouble last?
    What's the use of always keepin'
         Thinkin' of the past?
    Each must have his tribulation —
         Water with his wine;
    Life, it ain't no celebration,
         Trouble? — I've had mine —
         But today is fine!

    It's today that I am livin',
         Not a month ago.
    Havin'; losin'; takin'; givin';
         As time wills it so.
    Yesterday a cloud of sorrow
         Fell across the way,
    It may rain again tomorrow,
         It may rain — but say,
         Ain't it fine today?

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    Wow, this poem gives a cool perspective on life. This poem makes one realize worrying doesn't help.

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  12. 10. Acquainted With The Night

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    “Acquainted With The Night” was published in 1928. It has themes of sadness and isolation. The narrator avoids contact with people and tries to escape his despair. The narrator doesn’t want to let anyone in, which continues his cycle of loneliness. Robert Frost himself was familiar with despair. At the time of writing this poem, he had already lost two children. Two more of his six children would pass away before him in later years. This poem includes symbols such as night (depression) and the moon (hope). It’s written as a “terza rima,” which is a poem made up of tercets (three-line stanzas). Within those stanzas, the ending word of the second line sets up the rhyme of the first and third lines of the next stanza.

    I have been one acquainted with the night.
    I have walked out in rain—and back in rain.
    I have outwalked the furthest city light.

    I have looked down the saddest city lane.
    I have passed by the watchman on his beat
    And dropped my eyes, unwilling to explain.

    I have stood still and stopped the sound of feet
    When far away an interrupted cry
    Came over houses from another street,

    But not to call me back or say good-bye;
    And further still at an unearthly height,
    One luminary clock against the sky

    Proclaimed the time was neither wrong nor right.
    I have been one acquainted with the night

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  13. 11. On Another's Sorrow

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    This poem was published in Songs of Innocence in 1789. The innocence suggested within the poem is that sympathy alone can comfort and heal.

    Can I see another's woe,
    And not be in sorrow too?
    Can I see another's grief,
    And not seek for kind relief?

    Can I see a falling tear,
    And not feel my sorrow's share?
    Can a father see his child
    Weep, nor be with sorrow filled?

    Can a mother sit and hear
    An infant groan, an infant fear?
    No, no!  never can it be!
    Never, never can it be!
    And can He who smiles on all
    Hear the wren with sorrows small,
    Hear the small bird's grief and care,
    Hear the woes that infants bear --

    And not sit beside the next,
    Pouring pity in their breast,
    And not sit the cradle near,
    Weeping tear on infant's tear?

    And not sit both night and day,
    Wiping all our tears away?
    Oh no! never can it be!
    Never, never can it be!
    He doth give his joy to all:
    He becomes an infant small,
    He becomes a man of woe,
    He doth feel the sorrow too.

    Think not thou canst sigh a sigh,
    And thy Maker is not by:
    Think not thou canst weep a tear,
    And thy Maker is not near.

    Oh He gives to us his joy,
    That our grief He may destroy:
    Till our grief is fled an gone
    He doth sit by us and moan.

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    A soulful poem. Sometimes or many times for some people it's the "going through" the sorrows that make life worth living. A hard way to learn a life lesson, but it often turns out better than...

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  14. 12. A Dream Within A Dream

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    Poe is describing feelings of desperation and sadness at the passing of time, and comparing it to a dream. He wishes he could hold on to just a moment of his life. He questions if anything in life is real or is it all "but a dream within a dream?"

    "A Dream Within a Dream" by Edgar Allan Poe was first published in 1849.

    Take this kiss upon the brow!
    And, in parting from you now,
    Thus much let me avow —
    You are not wrong, who deem
    That my days have been a dream;
    Yet if hope has flown away
    In a night, or in a day,
    In a vision, or in none,
    Is it therefore the less gone? 
    All that we see or seem
    Is but a dream within a dream.

    I stand amid the roar
    Of a surf-tormented shore,
    And I hold within my hand
    Grains of the golden sand —
    How few! yet how they creep
    Through my fingers to the deep,
    While I weep — while I weep!
    O God! Can I not grasp
    Them with a tighter clasp?
    O God! can I not save
    One from the pitiless wave?
    Is all that we see or seem
    But a dream within a dream?

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  15. 13. Leisure

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    We are often in such a hurry in life that we move from one thing to the next without stopping to notice the beauty around us. Famous poet W.H. Davies (1871-1940) reminds us that life passes by quickly, and he encourages readers to take moments to “stand and stare.” W.H. Davies was a Welsh poet who devoted himself to writing poetry in his late 20s. Many of his poems were filled with themes of hardship and the natural world.

    What is this life if, full of care,
    We have no time to stand and stare

    No time to stand beneath the boughs,
    And stare as long as sheep and cows

    No time to see, when woods we pass,
    Where squirrels hide their nuts in grass

    No time to see, in broad daylight,
    Streams full of stars, like skies at night

    No time to turn at Beauty's glance,
    And watch her feet, how they can dance

    No time to wait till her mouth can
    Enrich that smile her eyes began

    A poor life this if, full of care,
    We have no time to stand and stare

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    This is a wonderful poem and has always been one of my favourites. At this time of lockdown restrictions and protecting ourselves, we have that time to stop and look at the world - to enjoy...

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  16. 14. Sympathy

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    Paul Laurence Dunbar worked at the Library of Congress for slightly over a year from September 1897-December 1898. He was the first poet to give a poetry reading at the Library of Congress. During his time working there, he was inspired to write “Sympathy,” which was published the following year in a poetry collection. Paul Laurence Dunbar suffered from tuberculosis. Dealing with the dust of books in a hot and confined space negatively impacted his health. It made him feel like a bird stuck in a cage, calling out to be free to enjoy the wind, the grass, and the river. However, “Sympathy” also has a deeper symbolism of the oppression of African American people. Maya Angelou used the last line of this poem as the title of her bestselling autobiography.

    I know what the caged bird feels, alas!
        When the sun is bright on the upland slopes;   
    When the wind stirs soft through the springing grass,   
    And the river flows like a stream of glass;
        When the first bird sings and the first bud opes,   
    And the faint perfume from its chalice steals—
    I know what the caged bird feels!

    I know why the caged bird beats his wing
        Till its blood is red on the cruel bars;   
    For he must fly back to his perch and cling   
    When he fain would be on the bough a-swing;
        And a pain still throbs in the old, old scars   
    And they pulse again with a keener sting—
    I know why he beats his wing!

    I know why the caged bird sings, ah me,
        When his wing is bruised and his bosom sore,—
    When he beats his bars and he would be free;
    It is not a carol of joy or glee,
        But a prayer that he sends from his heart’s deep core,   
    But a plea, that upward to Heaven he flings—
    I know why the caged bird sings!

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  17. 15. When I Have Fears

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    In this poem, John Keats (1795-1821) shares the fear of dying before accomplishing all he set out to do or finding the love he desires. We all have different things we want to achieve in life, and we don’t know how much time we will have to do them. Keats and his parents all died at a young age. Even though John Keats died at the age of 25, he had an incredible poetry career.

    When I have fears that I may cease to be
       Before my pen has gleaned my teeming brain,
    Before high-pilèd books, in charactery,
       Hold like rich garners the full ripened grain;
    When I behold, upon the night’s starred face,
       Huge cloudy symbols of a high romance,
    And think that I may never live to trace
       Their shadows with the magic hand of chance;
    And when I feel, fair creature of an hour,
       That I shall never look upon thee more,
    Never have relish in the faery power
       Of unreflecting love—then on the shore
    Of the wide world I stand alone, and think
    Till love and fame to nothingness do sink.

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    My brief thoughts on what I believe makes this poem a Classic. We all want to make and leave a mark in life. We all have anxiety. I want to fear not life or death but take the chance called...

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  18. 16. Tulips

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    Sylvia Plath (1932-1963) wrote “Tulips” while she was in the hospital. It reveals the struggle she had with her mental state. Sylvia wants to die at that moment, but the bright red tulips make her think about life and living. She almost feels as though the flowers are taunting her. “Tulips” was written in 1961 but wasn’t published until 1965 - a couple of years after her death.

    The tulips are too excitable, it is winter here.
    Look how white everything is, how quiet, how snowed-in.   
    I am learning peacefulness, lying by myself quietly
    As the light lies on these white walls, this bed, these hands.   
    I am nobody; I have nothing to do with explosions.   
    I have given my name and my day-clothes up to the nurses   
    And my history to the anesthetist and my body to surgeons.

    They have propped my head between the pillow and the sheet-cuff   
    Like an eye between two white lids that will not shut.
    Stupid pupil, it has to take everything in.
    The nurses pass and pass, they are no trouble,
    They pass the way gulls pass inland in their white caps,
    Doing things with their hands, one just the same as another,   
    So it is impossible to tell how many there are.

    My body is a pebble to them, they tend it as water
    Tends to the pebbles it must run over, smoothing them gently.
    They bring me numbness in their bright needles, they bring me sleep.   
    Now I have lost myself I am sick of baggage——
    My patent leather overnight case like a black pillbox,   
    My husband and child smiling out of the family photo;   
    Their smiles catch onto my skin, little smiling hooks.

    I have let things slip, a thirty-year-old cargo boat   
    stubbornly hanging on to my name and address.
    They have swabbed me clear of my loving associations.   
    Scared and bare on the green plastic-pillowed trolley   
    I watched my teaset, my bureaus of linen, my books   
    Sink out of sight, and the water went over my head.   
    I am a nun now, I have never been so pure.

    I didn’t want any flowers, I only wanted
    To lie with my hands turned up and be utterly empty.
    How free it is, you have no idea how free——
    The peacefulness is so big it dazes you,
    And it asks nothing, a name tag, a few trinkets.
    It is what the dead close on, finally; I imagine them   
    Shutting their mouths on it, like a Communion tablet.   

    The tulips are too red in the first place, they hurt me.
    Even through the gift paper I could hear them breathe   
    Lightly, through their white swaddlings, like an awful baby.   
    Their redness talks to my wound, it corresponds.
    They are subtle : they seem to float, though they weigh me down,   
    Upsetting me with their sudden tongues and their color,   
    A dozen red lead sinkers round my neck.

    Nobody watched me before, now I am watched.   
    The tulips turn to me, and the window behind me
    Where once a day the light slowly widens and slowly thins,   
    And I see myself, flat, ridiculous, a cut-paper shadow   
    Between the eye of the sun and the eyes of the tulips,   
    And I have no face, I have wanted to efface myself.   
    The vivid tulips eat my oxygen.

    Before they came the air was calm enough,
    Coming and going, breath by breath, without any fuss.   
    Then the tulips filled it up like a loud noise.
    Now the air snags and eddies round them the way a river   
    Snags and eddies round a sunken rust-red engine.   
    They concentrate my attention, that was happy   
    Playing and resting without committing itself.

    The walls, also, seem to be warming themselves.
    The tulips should be behind bars like dangerous animals;   
    They are opening like the mouth of some great African cat,   
    And I am aware of my heart: it opens and closes
    Its bowl of red blooms out of sheer love of me.
    The water I taste is warm and salt, like the sea,
    And comes from a country far away as health.

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  19. 17. Winter Stars

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    Sara Teasdale, famous American poet born in 1884, was born to a wealthy family in Missouri and had many successes in her career. However, she fought depression and ultimately committed suicide in 1933. In this poem, the speaker is comforted by the constant presence of the stars. No matter where she went, she knew she could always see the stars high in the sky. Even as life changes ("years go, dreams go, and youth goes too…"), there are certain things that are unwavering. Sometimes we need to keep our eyes focused on those things.

    I went out at night alone;
      The young blood flowing beyond the sea
    Seemed to have drenched my spirit’s wings—
      I bore my sorrow heavily.

    But when I lifted up my head
      From shadows shaken on the snow,
    I saw Orion in the east
      Burn steadily as long ago.

    From windows in my father’s house,
      Dreaming my dreams on winter nights,
    I watched Orion as a girl
      Above another city’s lights.

    Years go, dreams go, and youth goes too,
       The world’s heart breaks beneath its wars,
    All things are changed, save in the east
      The faithful beauty of the stars.

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  20. 18. Defeat

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    In Kahlil Gibran's poem "Defeat," the poet presents a unique perspective on defeat and embraces it as a cherished companion. Through poetic language and metaphors, Gibran explores the deeper meaning of defeat and its transformative power. The poet personifies defeat, addressing it directly as a trusted confidant and source of self-knowledge. Gibran suggests that defeat brings wisdom and strength, allowing one to remain untethered by the allure of worldly success and instead find solace in solitude and rejection. The poem evokes a sense of defiance and resilience, emphasizing that defeat is not a sign of weakness but a catalyst for growth and a reminder of one's mortality. Gibran's imagery of soaring wings, crashing seas, and burning mountains conveys the tumultuous journey of the soul and the profound connection between defeat and personal courage. Ultimately, the poem exudes a spirit of determination and danger, urging the reader to face adversity with unwavering resolve and to embrace the transformative power of defeat.

    Defeat, my Defeat, my solitude and my aloofness;
    You are dearer to me than a thousand triumphs,
    And sweeter to my heart than all world-glory.

    Defeat, my Defeat, my self-knowledge and my defiance,
    Through you I know that I am yet young and swift of foot
    And not to be trapped by withering laurels.
    And in you I have found aloneness
    And the joy of being shunned and scorned.

    Defeat, my Defeat, my shining sword and shield,
    In your eyes I have read
    That to be enthroned is to be enslaved,
    And to be understood is to be leveled down,
    And to be grasped is but to reach one’s fullness
    And like a ripe fruit to fall and be consumed.

    Defeat, my Defeat, my bold companion,
    You shall hear my songs and my cries and my silences,
    And none but you shall speak to me of the beating of wings,
    And urging of seas,
    And of mountains that burn in the night,
    And you alone shall climb my steep and rocky soul.

    Defeat, my Defeat, my deathless courage,
    You and I shall laugh together with the storm,
    And together we shall dig graves for all that die in us,
    And we shall stand in the sun with a will,
    And we shall be dangerous.

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  21. 19. The Flower That Smiles To-day

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    The poem "The Flower That Smiles Today" talks about how happiness and good times don't last forever. It compares happiness to a flower that blooms one day but withers away the next. The poet reflects on how things we hope will stay often end up leaving us disappointed when they disappear. The poem mentions how fragile things like being good, having friends, and feeling love can be. Even though they may seem strong, they can easily lead to sadness and despair. Despite this, the poem suggests that we can survive these ups and downs. It tells us to enjoy happy moments while they last, but also reminds us that sadness is a part of life too.

    The flower that smiles to-day
              To-morrow dies;
    All that we wish to stay
              Tempts and then flies.
    What is this world's delight?
    Lightning that mocks the night,
              Brief even as bright.

       Virtue, how frail it is!
              Friendship how rare!
    Love, how it sells poor bliss
              For proud despair!
    But we, though soon they fall,
    Survive their joy, and all
              Which ours we call.

       Whilst skies are blue and bright,
              Whilst flowers are gay,
    Whilst eyes that change ere night
              Make glad the day;
    Whilst yet the calm hours creep,
    Dream thou—and from thy sleep
              Then wake to weep

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  22. 20. Walking Around

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    "Walking Around" by Pablo Neruda delves into the disquieting thoughts of the speaker, exploring their disillusionment with life and a profound desire to break free from societal constraints. Through vivid imagery and metaphor, Neruda uses the repetitious line "It so happens I am sick of being a man" to create a rhythmic structure that emphasizes the speaker's growing discontent. The poem also employs contrasting imagery, such as the juxtaposition of a "swan made of felt" and "water of wombs and ashes," to evoke a sense of emotional and existential turmoil. Neruda's use of surreal and unsettling scenes, like wanting to "terrify a law clerk with a cut lily" or "kill a nun with a blow on the ear," further contributes to the poem's dark and introspective tone. The poem's vivid language and exploration of existential themes make it a thought-provoking piece that invites readers to reflect on the complexities of human existence.

    It so happens I am sick of being a man.
    And it happens that I walk into tailorshops and movie houses
    dried up, waterproof, like a swan made of felt
    steering my way in a water of wombs and ashes.

    The smell of barbershops makes me break into hoarse sobs.
    The only thing I want is to lie still like stones or wool.
    The only thing I want is to see no more stores, no gardens,
    no more goods, no spectacles, no elevators.

    It so happens I am sick of my feet and my nails
    and my hair and my shadow.
    It so happens I am sick of being a man.

    Still it would be marvelous
    to terrify a law clerk with a cut lily,
    or kill a nun with a blow on the ear.
    It would be great
    to go through the streets with a green knife
    letting out yells until I died of the cold.

    I don’t want to go on being a root in the dark,
    insecure, stretched out, shivering with sleep,
    going on down, into the moist guts of the earth,
    taking in and thinking, eating every day.

    I don’t want so much misery.
    I don’t want to go on as a root and a tomb,
    alone under the ground, a warehouse with corpses,
    half frozen, dying of grief.

    That’s why Monday, when it sees me coming
    with my convict face, blazes up like gasoline,
    and it howls on its way like a wounded wheel,
    and leaves tracks full of warm blood leading toward the night.

    And it pushes me into certain corners, into some moist houses,
    into hospitals where the bones fly out the window,
    into shoeshops that smell like vinegar,
    and certain streets hideous as cracks in the skin.

    There are sulphur-colored birds, and hideous intestines
    hanging over the doors of houses that I hate,
    and there are false teeth forgotten in a coffeepot,
    there are mirrors
    that ought to have wept from shame and terror,
    there are umbrellas everywhere, and venoms, and umbilical cords.

    I stroll along serenely, with my eyes, my shoes,
    my rage, forgetting everything,
    I walk by, going through office buildings and orthopedic shops,
    and courtyards with washing hanging from the line:
    underwear, towels and shirts from which slow
    dirty tears are falling.

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