Famous Nature Poems - Page 2

21 - 40 of 57 Poems

  1. 21. Our Blessings

    Famous Poem

    “Our Blessings" by Ella Wheeler Wilcox encourages readers to reflect on the small, everyday blessings in life and to be grateful for them. She reminds us that blessings come in all forms, whether they be big or small, and that they are all around us if we only take the time to notice them. The poem employs poetic techniques such as imagery, where the speaker uses descriptive language to create sensory experiences for the reader, helping them to see and feel the blessings in their life. Alliteration is also used to draw attention to the beauty of the sky and repetition is used to stress the idea that blessings are all around us.

    Sitting to-day in the sunshine
        That touched me with fingers of love,
    I thought of the manifold blessings
        God scatters on earth, from above;
    And they seemed, as I numbered them over,
        Far more than we merit, or need,
    And all that we lack is the angels
        To make earth a heaven indeed.

    The winter brings long, pleasant evenings,
        The spring brings a promise of flowers
    That summer breathes into fruition;
        And autumn brings glad, golden hours.
    The woodlands re-echo with music,
        The moonbeams ensilver the sea;
    There is sunlight and beauty about us,
        And the world is as fair as can be.

    But mortals are always complaining!
        Each one thinks his own a sad lot,
    And forgetting the good things about him,
        Goes mourning for those he has not.
    Instead of the star-spangled heavens,
        We look on the dust at our feet;
    We drain out the cup that is bitter,
        Forgetting the one that is sweet.

    We mourn o'er the thorn in the flower,
        Forgetting its odor and bloom;
    We pass by a garden of blossoms,
        To weep o'er the dust of the tomb.
    There are blessings unnumbered about us--
        Like the leaves of the forest they grow;
    And the fault is our own--not the Giver's--
        That we have not Eden below.

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  3. 22. Who Has Seen The Wind?

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    Until the age of nine, Christina Rossetti (1830-1894) spent time at her grandfather’s cottage in Holmer Green. In 1839, he sold the property and moved to London. During these visits to Holmer Green, Christina had the freedom to wander around the property and fall in love with nature. The natural world seeped into the poetry she went on to write.

    Who has seen the wind?
    Neither I nor you:
    But when the leaves hang trembling,
    The wind is passing through.

    Who has seen the wind?
    Neither you nor I:
    But when the trees bow down their heads,
    The wind is passing by.

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  5. 23. It's September

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    Edgar Guest (1881-1959) captures the breathtaking beauty of September and how the world is transformed with hues of gold, orange, red, and yellow. In many of his poems, he used everyday experiences to capture more significant thoughts on life. When reflecting on the end of life, we can see that it is comparable to September, full and ripe, a life well-lived.

    It's September, and the orchards are afire with red and gold,
    And the nights with dew are heavy, and the morning's sharp with cold;
    Now the garden's at its gayest with the salvia blazing red
    And the good old-fashioned asters laughing at us from their bed;
    Once again in shoes and stockings are the children's little feet,
    And the dog now does his snoozing on the bright side of the street.

    It's September, and the cornstalks are as high as they will go,
    And the red cheeks of the apples everywhere begin to show;
    Now the supper's scarcely over ere the darkness settles down
    And the moon looms big and yellow at the edges of the town;
    Oh, it's good to see the children, when their little prayers are said,
    Duck beneath the patchwork covers when they tumble into bed.

    It's September, and a calmness and a sweetness seem to fall
    Over everything that's living, just as though it hears the call
    Of Old Winter, trudging slowly, with his pack of ice and snow,
    In the distance over yonder, and it somehow seems as though
    Every tiny little blossom wants to look its very best
    When the frost shall bite its petals and it droops away to rest.

    It's September! It's the fullness and the ripeness of the year;
    All the work of earth is finished, or the final tasks are near,
    But there is no doleful wailing; every living thing that grows,
    For the end that is approaching wears the finest garb it knows.
    And I pray that I may proudly hold my head up high and smile
    When I come to my September in the golden afterwhile.

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  6. 24. Vision

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    Sometimes it’s hard to see past what is right in front of us in order to see the beauty around us. It can be easy to allow circumstances to cloud our view. In this poem, mist and clouds fill the valley, preventing the people living there from seeing the beauty of the surrounding mountains.

    I came to the mountains for beauty
    And I find here the toiling folk,
    On sparse little farms in the valleys,
    Wearing their days like a yoke.

    White clouds fill the valleys at morning,
    They are round as great billows at sea,
    And roll themselves up to the hill-tops
    Still round as great billows can be.

    The mists fill the valleys at evening,
    They are blue as the smoke in the fall,
    And spread all the hills with a tenuous scarf
    That touches the hills not at all.

    These lone folk have looked on them daily,
    Yet I see in their faces no light.
    Oh, how can I show them the mountains
    That are round them by day and by night?

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  7. 25. Memory

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    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,
    And on the last blue noon in May--
    The wind came briskly up this way,
    Crisping the brook beside the road;
    Then, pausing here, set down its load
    Of pine-scents, and shook listlessly
    Two petals from that wild-rose tree.

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  8. 26. No Songs In Winter

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    Everything changes and slows down in winter. The world seems empty, and time moves slowly. For many, it can be a difficult season to get through, but one day, everything will return, and things will be restored.

    The sky is gray as gray may be,
    There is no bird upon the bough,
    There is no leaf on vine or tree.

    In the Neponset marshes now
    Willow-stems, rosy in the wind,
    Shiver with hidden sense of snow.

    So too 't is winter in my mind,
    No light-winged fancy comes and stays:
    A season churlish and unkind.

    Slow creep the hours, slow creep the days,
    The black ink crusts upon the pen--
    Just wait till bluebirds, wrens, and jays
    And golden orioles come again!

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  9. 27. A Day Of Sunshine

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    Sunny days have a way of making us feel fantastic. We want to take full advantage of what the day has to offer. Famous poet Henry Wadsworth Longfellow (1807-1882) captures the beauty and desire to enjoy nature on a sunny day. Sunny days can make it hard to focus on work because one would rather be outside enjoying the majesty of the natural world. Henry Wadsworth Longfellow was a prolific writer of prose and poetry. After graduating from college, he studied languages in Europe before becoming a college professor at Bowdoin, his alma mater, and later at Harvard.

    O gift of God! O perfect day:
    Whereon shall no man work, but play;
    Whereon it is enough for me,
    Not to be doing, but to be!

    Through every fibre of my brain,
    Through every nerve, through every vein,
    I feel the electric thrill, the touch
    Of life, that seems almost too much.

    I hear the wind among the trees
    Playing celestial symphonies;
    I see the branches downward bent,
    Like keys of some great instrument.

    And over me unrolls on high
    The splendid scenery of the sky,
    Where though a sapphire sea the sun
    Sails like a golden galleon,

    Towards yonder cloud-land in the West,
    Towards yonder Islands of the Blest,
    Whose steep sierra far uplifts
    Its craggy summits white with drifts.

    Blow, winds! and waft through all the rooms
    The snow-flakes of the cherry-blooms!
    Blow, winds! and bend within my reach
    The fiery blossoms of the peach!

    O Life and Love! O happy throng
    Of thoughts, whose only speech is song!
    O heart of man! canst thou not be
    Blithe as the air is, and as free?

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  10. 28. February Twilight

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    Sara Teasdale (1884-1933) became a famous poet during her lifetime. In “February Twilight,” she captures the beauty and peacefulness of standing alone in nature.

    I stood beside a hill
    Smooth with new-laid snow,
    A single star looked out
    From the cold evening glow.

    There was no other creature
    That saw what I could see—
    I stood and watched the evening star
    As long as it watched me.

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  11. 29. A Winter Blue Jay

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    Sara Teasdale’s (1884-1933) “A Winter Blue Jay” was published in the book Rivers to the Sea in 1915. This poem features two lovers enjoying a beautiful winter day. They think nothing could be better than the sights they’ve already experienced, but then they spot a bluejay. Just as their day is filled with more beauty, so is their love as time moves forward. Sara Teasdale married Ernst Filsinger. Unfortunately, he traveled a lot for work, leaving her lonely, and their marriage ended in 1929.

    Crisply the bright snow whispered,
    Crunching beneath our feet;
    Behind us as we walked along the parkway,
    Our shadows danced,
    Fantastic shapes in vivid blue.
    Across the lake the skaters
    Flew to and fro,
    With sharp turns weaving
    A frail invisible net.
    In ecstasy the earth
    Drank the silver sunlight;
    In ecstasy the skaters
    Drank the wine of speed;
    In ecstasy we laughed
    Drinking the wine of love.
    Had not the music of our joy
    Sounded its highest note?
    But no,
    For suddenly, with lifted eyes you said,
    “Oh look!”
    There, on the black bough of a snow flecked maple,
    Fearless and gay as our love,
    A bluejay cocked his crest!
    Oh who can tell the range of joy
    Or set the bounds of beauty?

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  12. 30. The Eagle

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    In this short poem by Alfred Lord Tennyson (1809-1892), he captures the majesty of an eagle hunting from the top of a cliff. This descriptive poem is comprised of tercets (three-line stanzas).

    He clasps the crag with crooked hands;
    Close to the sun in lonely lands,
    Ringed with the azure world, he stands.

    The wrinkled sea beneath him crawls;
    He watches from his mountain walls,
    And like a thunderbolt he falls.

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    This poem touched my heart as no other poem has. I love nature and most poems don't interest me. When I can, I am outside in nature and when I have to go inside, I fall just like the Eagle at...

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  13. 31. Winter Morning Poem

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    This famous poem by Ogden Nash uses descriptive language to show the beauty of snow. Winter is unlike any other season where snow blankets everything it touches. It transforms the land into a magical experience. Ogden Nash (1902-1971) was well-known and appreciated during his lifetime.

    Winter is the king of showmen,
    Turning tree stumps into snow men
    And houses into birthday cakes
    And spreading sugar over lakes.
    Smooth and clean and frosty white,
    The world looks good enough to bite.
    That's the season to be young,
    Catching snowflakes on your tongue!
    Snow is snowy when it's snowing.
    I'm sorry it's slushy when it's going.

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  14. 32. Desert Places

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    Robert Frost (1874-1963) spent many years living in New England, and a lot of his poetry was inspired by the landscape around him. In “Desert Places,” he uses the emptiness created by a snowstorm and the darkness of night to compare to depression and emotional turmoil. The loneliness of nature is nothing compared to the loneliness one experiences from their own darkness and isolation. Robert Frost had his own bouts with depression.

    Snow falling and night falling fast, oh, fast
    In a field I looked into going past,
    And the ground almost covered smooth in snow,
    But a few weeds and stubble showing last.

    The woods around it have it--it is theirs.
    All animals are smothered in their lairs.
    I am too absent-spirited to count;
    The loneliness includes me unawares.

    And lonely as it is that loneliness
    Will be more lonely ere it will be less--
    A blanker whiteness of benighted snow
    With no expression, nothing to express.

    They cannot scare me with their empty spaces
    Between stars--on stars where no human race is.
    I have it in me so much nearer home
    To scare myself with my own desert places.

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  15. 33. The Brook

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    The Industrial Revolution took place in Great Britain during the late 1700s and early 1800s. As cities grew, living conditions deteriorated for the poor and working class. Factories and mass production were beneficial for some but not everyone. This poem stands in contrast of new manufacturing processes of that time period by focusing on nature. The narrator in this poem, the brook, is personified. The brook shows persistence by continuing to flow, no matter what obstacles get in its way. The repeated lines, “For men may come and men may go, but I go on for ever,” showcase that. Famous poet Alfred Tennyson (1809-1892) was named Poet Laureate in Great Britain and Ireland.

    I come from haunts of coot and hern,
       I make a sudden sally
    And sparkle out among the fern,
       To bicker down a valley.

    By thirty hills I hurry down,
       Or slip between the ridges,
    By twenty thorpes, a little town,
       And half a hundred bridges.

    Till last by Philip's farm I flow
       To join the brimming river,
    For men may come and men may go,
       But I go on for ever.

    I chatter over stony ways,
       In little sharps and trebles,
    I bubble into eddying bays,
       I babble on the pebbles.

    With many a curve my banks I fret
       By many a field and fallow,
    And many a fairy foreland set
       With willow-weed and mallow.

    I chatter, chatter, as I flow
       To join the brimming river,
    For men may come and men may go,
       But I go on for ever.

    I wind about, and in and out,
       With here a blossom sailing,
    And here and there a lusty trout,
       And here and there a grayling,

    And here and there a foamy flake
       Upon me, as I travel
    With many a silvery waterbreak
       Above the golden gravel,

    And draw them all along, and flow
       To join the brimming river
    For men may come and men may go,
       But I go on for ever.

    I steal by lawns and grassy plots,
       I slide by hazel covers;
    I move the sweet forget-me-nots
       That grow for happy lovers.

    I slip, I slide, I gloom, I glance,
       Among my skimming swallows;
    I make the netted sunbeam dance
       Against my sandy shallows.

    I murmur under moon and stars
       In brambly wildernesses;
    I linger by my shingly bars;
       I loiter round my cresses;

    And out again I curve and flow
       To join the brimming river,
    For men may come and men may go,
       But I go on for ever.

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  16. 34. I Wandered Lonely As A Cloud

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    "I Wandered Lonely as a Cloud" is a lyric poem that expresses deep feelings about the beauty of nature. William Wordsworth was a well-known poet of the Romantic era, which began at the beginning of the 1800s. The focus during the Romantic era was on people's feelings and their connectedness to nature. That was a drastic shift from the emphasis on science and reason of the Enlightenment era, which came before. "I Wandered Lonely as a Cloud" is one of Wordsworth's most famous poems. It was inspired by a journal entry his sister wrote recounting when the two of them went for a walk along the bay and saw a large number of daffodils.

    I wandered lonely as a cloud
    That floats on high o'er vales and hills,
    When all at once I saw a crowd,
    A host, of golden daffodils;
    Beside the lake, beneath the trees,
    Fluttering and dancing in the breeze.

    Continuous as the stars that shine
    And twinkle on the milky way,
    They stretched in never-ending line
    Along the margin of a bay:
    Ten thousand saw I at a glance,
    Tossing their heads in sprightly dance.

    The waves beside them danced; but they
    Out-did the sparkling waves in glee:
    A poet could not but be gay,
    In such a jocund company:
    I gazed—and gazed—but little thought
    What wealth the show to me had brought:

    For oft, when on my couch I lie
    In vacant or in pensive mood,
    They flash upon that inward eye
    Which is the bliss of solitude;
    And then my heart with pleasure fills,
    And dances with the daffodils.

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  17. 35. Nothing Gold Can Stay

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    Robert Frost is one of the most famous poets from the 1900s. He never earned a formal college degree, but he did receive honorary degrees from more than 40 colleges and universities. This famous poem shows that everything in life is cyclical and that the beauty in nature only lasts for a short period of time. Even though life ends, there is new life waiting to come forth.

    Nature's first green is gold,
    Her hardest hue to hold.
    Her early leaf's a flower;
    But only so an hour.
    Then leaf subsides to leaf.
    So Eden sank to grief,
    So dawn goes down to day.
    Nothing gold can stay.

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  18. 36. The Seed-Shop

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    One of the topics Muriel Stuart (1885-1967) liked to write about was nature. She even stopped writing poetry to pursue writing about gardening. In this poem, she shares about the hidden potential of seeds. In their current state, they look like lifeless stones, but an entire garden and forest rests inside of them when they are planted. The same could be said about people. When we don’t embrace our purpose and contribute to society, we are no better than unplanted seeds. But once we allow our gifts and talents to be used, we create beauty for others to enjoy.

    HERE in a quiet and dusty room they lie,
    Faded as crumbled stone and shifting sand,
    Forlorn as ashes, shrivelled, scentless, dry -
    Meadows and gardens running through my hand.

    Dead that shall quicken at the voice of spring,
    Sleepers to wake beneath June’s tempest kiss;
    Though birds pass over, unremembering,
    And no bee find here roses that were his.

    In this brown husk a dale of hawthorn dreams;
    A cedar in this narrow cell is thrust
    That shall drink deeply at a century’s streams;
    These lilies shall make summer on my dust.

    Here in their safe and simple house of death,
    Sealed in their shells, a million roses leap;
    Here I can stir a garden with my breath,
    And in my hand a forest lies asleep.

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  19. 37. The Fish

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    This famous narrative poem transforms an ordinary moment into a gripping story about the moment when the Hunter meets the Hunted. The fisherwoman's catch of a tremendous fish takes an unexpected diversion when she takes the opportunity to observe it at close range. The life story of The Fish as told by its battle scars and beautiful fishiness gives the encounter a personal side and result in things taking an unexpected turn.

    I caught a tremendous fish
    and held him beside the boat
    half out of water, with my hook
    fast in a corner of his mouth.
    He didn’t fight.
    He hadn’t fought at all.
    He hung a grunting weight,
    battered and venerable
    and homely. Here and there
    his brown skin hung in strips
    like ancient wallpaper,
    and its pattern of darker brown
    was like wallpaper:
    shapes like full-blown roses
    stained and lost through age.
    He was speckled with barnacles,
    fine rosettes of lime,
    and infested
    with tiny white sea-lice,
    and underneath two or three
    rags of green weed hung down.
    While his gills were breathing in
    the terrible oxygen
    —the frightening gills,
    fresh and crisp with blood,
    that can cut so badly—
    I thought of the coarse white flesh
    packed in like feathers,
    the big bones and the little bones,
    the dramatic reds and blacks
    of his shiny entrails,
    and the pink swim-bladder
    like a big peony.
    I looked into his eyes
    which were far larger than mine
    but shallower, and yellowed,
    the irises backed and packed
    with tarnished tinfoil
    seen through the lenses
    of old scratched isinglass.
    They shifted a little, but not
    to return my stare.
    —It was more like the tipping
    of an object toward the light.
    I admired his sullen face,
    the mechanism of his jaw,
    and then I saw
    that from his lower lip
    —if you could call it a lip—
    grim, wet, and weaponlike,
    hung five old pieces of fish-line,
    or four and a wire leader
    with the swivel still attached,
    with all their five big hooks
    grown firmly in his mouth.
    A green line, frayed at the end
    where he broke it, two heavier lines,
    and a fine black thread
    still crimped from the strain and snap
    when it broke and he got away.
    Like medals with their ribbons
    frayed and wavering,
    a five-haired beard of wisdom
    trailing from his aching jaw.
    I stared and stared
    and victory filled up
    the little rented boat,
    from the pool of bilge
    where oil had spread a rainbow
    around the rusted engine
    to the bailer rusted orange,
    the sun-cracked thwarts,
    the oarlocks on their strings,
    the gunnels—until everything
    was rainbow, rainbow, rainbow!
    And I let the fish go.

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  20. 38. My November Guest

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    The landscape of New England influenced many of Robert Frost’s poems, which can be seen in “My November Guest.” In this poem, sorrow is personified as someone the speaker loved. While the speaker sees things one way, Sorrow sees them differently. She sees the beauty in autumn, while the poet cannot. We each see beauty in different things. Even in the midst of sorrow there can be something beautiful. In the midst of autumn, where leaves are dying, there is beauty in their changing colors.

    My Sorrow, when she's here with me,
    Thinks these dark days of autumn rain
    Are beautiful as days can be;
    She loves the bare, the withered tree;
    She walks the sodden pasture lane.

    Her pleasure will not let me stay.
    She talks and I am fain to list:
    She's glad the birds are gone away,
    She's glad her simple worsted grey
    Is silver now with clinging mist.

    The desolate, deserted trees,
    The faded earth, the heavy sky,
    The beauties she so truly sees,
    She thinks I have no eye for these,
    And vexes me for reason why.

    Not yesterday I learned to know
    The love of bare November days
    Before the coming of the snow,
    But it were vain to tell her so,
    And they are better for her praise.

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  21. 39. Stopping By Woods On A Snowy Evening

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    This deceptively simple poem is by Robert Frost (1874 – 1963). He wrote it in 1922 in a few moments after being up the entire night writing a long and complicated poem. The poem uses an AABA rhyme scheme. The repetition of the last line emphasizes the profundity contained in the last stanza, a popular reading for funerals.

    Whose woods these are I think I know.   
    His house is in the village though;   
    He will not see me stopping here   
    To watch his woods fill up with snow.   

    My little horse must think it queer   
    To stop without a farmhouse near   
    Between the woods and frozen lake   
    The darkest evening of the year.   

    He gives his harness bells a shake   
    To ask if there is some mistake.   
    The only other sound’s the sweep   
    Of easy wind and downy flake.   

    The woods are lovely, dark and deep,   
    But I have promises to keep,   
    And miles to go before I sleep,   
    And miles to go before I sleep.

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    I was all of 16 years old (1958) at Oak Park High. We finished subjugating and conjugating at the end of our sophomore year. Finally I could put that dangling participle to rest and move on...

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  22. 40. Fog

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    “Fog” was part of Carl Sandburg’s first poetry collection, Chicago Poems, published in 1916. Sandburg wrote simply and was known to use the “language of the people.” This poem was no different. He used simple imagery, personification and a metaphor to compare fog to the movement of a cat. Sandburg was inspired to write this poem when he saw the fog roll in to the Chicago harbor.

    The fog comes
    on little cat feet.

    It sits looking
    over harbor and city
    on silent haunches
    and then moves on.

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    My dear neighbor, Nellie, who is in her 80s, asked me, as I am an artist, to paint a picture for her to give to her husband for Christmas. She said he loves the poem "Here Comes the Fog" by...

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