Famous Nature Poems - Page 2

21 - 40 of 57 Poems

  1. 21. It's September

    Famous Poem


    Edgar Guest (1881-1959) captures the breathtaking beauty of September and how the world is transformed with hues of gold, orange, red, and yellow. In many of his poems, he used everyday experiences to capture more significant thoughts on life. When reflecting on the end of life, we can see that it is comparable to September, full and ripe, a life well-lived.

    It's September, and the orchards are afire with red and gold,
    And the nights with dew are heavy, and the morning's sharp with cold;
    Now the garden's at its gayest with the salvia blazing red
    And the good old-fashioned asters laughing at us from their bed;
    Once again in shoes and stockings are the children's little feet,
    And the dog now does his snoozing on the bright side of the street.

    It's September, and the cornstalks are as high as they will go,
    And the red cheeks of the apples everywhere begin to show;
    Now the supper's scarcely over ere the darkness settles down
    And the moon looms big and yellow at the edges of the town;
    Oh, it's good to see the children, when their little prayers are said,
    Duck beneath the patchwork covers when they tumble into bed.

    It's September, and a calmness and a sweetness seem to fall
    Over everything that's living, just as though it hears the call
    Of Old Winter, trudging slowly, with his pack of ice and snow,
    In the distance over yonder, and it somehow seems as though
    Every tiny little blossom wants to look its very best
    When the frost shall bite its petals and it droops away to rest.

    It's September! It's the fullness and the ripeness of the year;
    All the work of earth is finished, or the final tasks are near,
    But there is no doleful wailing; every living thing that grows,
    For the end that is approaching wears the finest garb it knows.
    And I pray that I may proudly hold my head up high and smile
    When I come to my September in the golden afterwhile.

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  3. 22. To Autumn

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    John Keats was a British Romantic Poem who only lived 25 short years, from 1795-1821. "To Autumn" is the final work in a group of poems that is referred to as Keats' 1819 Odes. He was inspired to write this poem after going on a walk on an autumn evening near Winchester. He wrote it on September 19, 1819, and it was published in 1820, a little more than a year before he succumbed to tuberculosis. The poem shows the progression through the autumn season, from fruitfulness, to labor, and ultimately to its decline. It also has a strong sense of imagery and uses personification.

    Season of mists and mellow fruitfulness,  
    Close bosom-friend of the maturing sun;
    Conspiring with him how to load and bless  
    With fruit the vines that round the thatch-eves run;
    To bend with apples the moss'd cottage-trees,  
    And fill all fruit with ripeness to the core;      
    To swell the gourd, and plump the hazel shells  
    With a sweet kernel; to set budding more,
    And still more, later flowers for the bees,
    Until they think warm days will never cease,      
    For summer has o'er-brimm'd their clammy cells.

    Who hath not seen thee oft amid thy store?  
    Sometimes whoever seeks abroad may find
    Thee sitting careless on a granary floor,  
    Thy hair soft-lifted by the winnowing wind;
    Or on a half-reap'd furrow sound asleep,  
    Drows'd with the fume of poppies, while thy hook      
    Spares the next swath and all its twined flowers:
    And sometimes like a gleaner thou dost keep  
    Steady thy laden head across a brook;  
    Or by a cyder-press, with patient look,      
    Thou watchest the last oozings hours by hours.

    Where are the songs of spring? Ay, Where are they?  
    Think not of them, thou hast thy music too,--
    While barred clouds bloom the soft-dying day,  
    And touch the stubble-plains with rosy hue;
    Then in a wailful choir the small gnats mourn  
    Among the river sallows, borne aloft      
    Or sinking as the light wind lives or dies;
    And full-grown lambs loud bleat from hilly bourn;  
    Hedge-crickets sing; and now with treble soft  
    The red-breast whistles from a garden-croft;      
    And gathering swallows twitter in the skies.

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  5. 23. The Fish

    Famous Poem

    This famous narrative poem transforms an ordinary moment into a gripping story about the moment when the Hunter meets the Hunted. The fisherwoman's catch of a tremendous fish takes an unexpected diversion when she takes the opportunity to observe it at close range. The life story of The Fish as told by its battle scars and beautiful fishiness gives the encounter a personal side and result in things taking an unexpected turn.

    I caught a tremendous fish
    and held him beside the boat
    half out of water, with my hook
    fast in a corner of his mouth.
    He didn’t fight.
    He hadn’t fought at all.
    He hung a grunting weight,
    battered and venerable
    and homely. Here and there
    his brown skin hung in strips
    like ancient wallpaper,
    and its pattern of darker brown
    was like wallpaper:
    shapes like full-blown roses
    stained and lost through age.
    He was speckled with barnacles,
    fine rosettes of lime,
    and infested
    with tiny white sea-lice,
    and underneath two or three
    rags of green weed hung down.
    While his gills were breathing in
    the terrible oxygen
    —the frightening gills,
    fresh and crisp with blood,
    that can cut so badly—
    I thought of the coarse white flesh
    packed in like feathers,
    the big bones and the little bones,
    the dramatic reds and blacks
    of his shiny entrails,
    and the pink swim-bladder
    like a big peony.
    I looked into his eyes
    which were far larger than mine
    but shallower, and yellowed,
    the irises backed and packed
    with tarnished tinfoil
    seen through the lenses
    of old scratched isinglass.
    They shifted a little, but not
    to return my stare.
    —It was more like the tipping
    of an object toward the light.
    I admired his sullen face,
    the mechanism of his jaw,
    and then I saw
    that from his lower lip
    —if you could call it a lip—
    grim, wet, and weaponlike,
    hung five old pieces of fish-line,
    or four and a wire leader
    with the swivel still attached,
    with all their five big hooks
    grown firmly in his mouth.
    A green line, frayed at the end
    where he broke it, two heavier lines,
    and a fine black thread
    still crimped from the strain and snap
    when it broke and he got away.
    Like medals with their ribbons
    frayed and wavering,
    a five-haired beard of wisdom
    trailing from his aching jaw.
    I stared and stared
    and victory filled up
    the little rented boat,
    from the pool of bilge
    where oil had spread a rainbow
    around the rusted engine
    to the bailer rusted orange,
    the sun-cracked thwarts,
    the oarlocks on their strings,
    the gunnels—until everything
    was rainbow, rainbow, rainbow!
    And I let the fish go.

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  6. 24. The Eagle

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    In this short poem by Alfred Lord Tennyson (1809-1892), he captures the majesty of an eagle hunting from the top of a cliff. This descriptive poem is comprised of tercets (three-line stanzas).

    He clasps the crag with crooked hands;
    Close to the sun in lonely lands,
    Ringed with the azure world, he stands.

    The wrinkled sea beneath him crawls;
    He watches from his mountain walls,
    And like a thunderbolt he falls.

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  7. 25. A Day Of Sunshine

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    Sunny days have a way of making us feel fantastic. We want to take full advantage of what the day has to offer. Famous poet Henry Wadsworth Longfellow (1807-1882) captures the beauty and desire to enjoy nature on a sunny day. Sunny days can make it hard to focus on work because one would rather be outside enjoying the majesty of the natural world. Henry Wadsworth Longfellow was a prolific writer of prose and poetry. After graduating from college, he studied languages in Europe before becoming a college professor at Bowdoin, his alma mater, and later at Harvard.

    O gift of God! O perfect day:
    Whereon shall no man work, but play;
    Whereon it is enough for me,
    Not to be doing, but to be!

    Through every fibre of my brain,
    Through every nerve, through every vein,
    I feel the electric thrill, the touch
    Of life, that seems almost too much.

    I hear the wind among the trees
    Playing celestial symphonies;
    I see the branches downward bent,
    Like keys of some great instrument.

    And over me unrolls on high
    The splendid scenery of the sky,
    Where though a sapphire sea the sun
    Sails like a golden galleon,

    Towards yonder cloud-land in the West,
    Towards yonder Islands of the Blest,
    Whose steep sierra far uplifts
    Its craggy summits white with drifts.

    Blow, winds! and waft through all the rooms
    The snow-flakes of the cherry-blooms!
    Blow, winds! and bend within my reach
    The fiery blossoms of the peach!

    O Life and Love! O happy throng
    Of thoughts, whose only speech is song!
    O heart of man! canst thou not be
    Blithe as the air is, and as free?

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  8. 26. Spring

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    Edna St. Vincent Millay (1892-1950), was born in Rockland, Maine on February 22. During the 1920's she lived in Greenwich Village, New York City, and wrote for Vanity Fair under the pseudonym Nancy Boyd.

    To what purpose, April, do you return again?
    Beauty is not enough.
    You can no longer quiet me with the redness
    Of little leaves opening stickily.
    I know what I know.
    The sun is hot on my neck as I observe
    The spikes of the crocus.
    The smell of the earth is good.
    It is apparent that there is no death.
    But what does that signify?
    Not only under ground are the brains of men
    Eaten by maggots.
    Life in itself
    Is nothing,
    An empty cup, a flight of uncarpeted stairs.
    It is not enough that yearly, down this hill,
    April
    Comes like an idiot, babbling and strewing flowers

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  9. 27. Pray To What Earth

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    Henry David Thoreau was an American author, poet, and historian who lived from 1817-1862. Some of his works are about living simply among the surroundings of nature, which can be felt in this piece. Thoreau personifies the moon in this poem by giving “her” human characteristics.

    Pray to what earth does this sweet cold belong,
    Which asks no duties and no conscience?
    The moon goes up by leaps, her cheerful path
    In some far summer stratum of the sky,
    While stars with their cold shine bedot her way.
    The fields gleam mildly back upon the sky,
    And far and near upon the leafless shrubs
    The snow dust still emits a silver light.
    Under the hedge, where drift banks are their screen,
    The titmice now pursue their downy dreams,
    As often in the sweltering summer nights
    The bee doth drop asleep in the flower cup,
    When evening overtakes him with his load.
    By the brooksides, in the still, genial night,
    The more adventurous wanderer may hear
    The crystals shoot and form, and winter slow
    Increase his rule by gentlest summer means

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  10. 28. Birches

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    "Birches" was first published in the Atlantic Monthly in 1915. The poem about the Birch tree with branches weighed heavy with ice and snow is one of Frost's most famous poems.

    When I see birches bend to left and right
    Across the lines of straighter darker trees,
    I like to think some boy's been swinging them.
    But swinging doesn't bend them down to stay
    As ice-storms do. Often you must have seen them
    Loaded with ice a sunny winter morning
    After a rain. They click upon themselves
    As the breeze rises, and turn many-colored
    As the stir cracks and crazes their enamel.
    Soon the sun's warmth makes them shed crystal shells
    Shattering and avalanching on the snow-crust--
    Such heaps of broken glass to sweep away
    You'd think the inner dome of heaven had fallen.
    They are dragged to the withered bracken by the load,
    And they seem not to break; though once they are bowed
    So low for long, they never right themselves:
    You may see their trunks arching in the woods
    Years afterwards, trailing their leaves on the ground
    Like girls on hands and knees that throw their hair
    Before them over their heads to dry in the sun.
    But I was going to say when Truth broke in
    With all her matter-of-fact about the ice-storm
    I should prefer to have some boy bend them
    As he went out and in to fetch the cows--
    Some boy too far from town to learn baseball,
    Whose only play was what he found himself,
    Summer or winter, and could play alone.
    One by one he subdued his father's trees
    By riding them down over and over again
    Until he took the stiffness out of them,
    And not one but hung limp, not one was left
    For him to conquer. He learned all there was
    To learn about not launching out too soon
    And so not carrying the tree away
    Clear to the ground. He always kept his poise
    To the top branches, climbing carefully
    With the same pains you use to fill a cup
    Up to the brim, and even above the brim.
    Then he flung outward, feet first, with a swish,
    Kicking his way down through the air to the ground.
    So was I once myself a swinger of birches.
    And so I dream of going back to be.
    It's when I'm weary of considerations,
    And life is too much like a pathless wood
    Where your face burns and tickles with the cobwebs
    Broken across it, and one eye is weeping
    From a twig's having lashed across it open.
    I'd like to get away from earth awhile
    And then come back to it and begin over.
    May no fate willfully misunderstand me
    And half grant what I wish and snatch me away
    Not to return. Earth's the right place for love:
    I don't know where it's likely to go better.
    I'd like to go by climbing a birch tree,
    And climb black branches up a snow-white trunk
    Toward heaven, till the tree could bear no more,
    But dipped its top and set me down again.
    That would be good both going and coming back.
    One could do worse than be a swinger of birches.

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  11. 29. February Twilight

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    Sara Teasdale (1884-1933) became a famous poet during her lifetime. In “February Twilight,” she captures the beauty and peacefulness of standing alone in nature.

    I stood beside a hill
    Smooth with new-laid snow,
    A single star looked out
    From the cold evening glow.

    There was no other creature
    That saw what I could see—
    I stood and watched the evening star
    As long as it watched me.

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  12. 30. Memory

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    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,
    And on the last blue noon in May--
    The wind came briskly up this way,
    Crisping the brook beside the road;
    Then, pausing here, set down its load
    Of pine-scents, and shook listlessly
    Two petals from that wild-rose tree.

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  13. 31. When April Comes

    • By Virna Sheard

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    In the poem "When April Comes" by Virna Sheard (1862 – 1943), the poet paints a vivid and enchanting picture of the arrival of April. Through the use of personification and imagery, the poem captures the essence of spring's arrival. The poet describes April with "softly shining eyes" and daffodils adorning her hair, symbolizing the renewal and beauty of the season. The arrival of April is depicted as a transformative time, as clouds dissipate and the skies clear. The poem celebrates the awakening of nature, with swallows swinging through the air and the joyful melodies of robins and bobolinks. April is portrayed as a rejuvenating force that breathes new life into the world, causing it to momentarily forget its weariness and age. Winter is depicted as a distant memory, with its bitter winds and frost belonging to the past. Overall, the poem captures the anticipation and joy associated with the arrival of April, signaling the arrival of spring and the rebirth of nature.

    When April comes with softly shining eyes,
    And daffodils bound in her wind-blown hair,
    Oh, she will coax all clouds from out the skies,
    And every day will bring some sweet surprise, --
    The swallows will come swinging through the air
    When April comes!

    When April comes with tender smile and tear,
    Dear dandelions will gild the common ways,
    And at the break of morning we will hear
    The piping of the robins crystal clear --
    While bobolinks will whistle through the days,
    When April comes!

    When April comes, the world so wise and old,
    Will half forget that it is worn and grey;
    Winter will seem but as a tale long told --
    Its bitter winds with all its frost and cold
    Will be the by-gone things of yesterday,
    When April comes!

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  14. 32. The Rain

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    In "The Rain" by W.H. Davies, the poet employs a range of poetic techniques to create a vivid and engaging picture of nature. Personification is also used throughout the poem, with the leaves given human qualities of drinking and being rich or poor. Imagery is another key technique used to convey the beauty of the rain, with the sound of leaves drinking described as a "sweet noise." Finally, symbolism is used to underscore the interconnectedness of nature, with the rain and the sun serving as symbols of renewal and transformation. These techniques come together to create a beautiful poem that celebrates the wonders of the nature.

    I hear leaves drinking rain;
    I hear rich leaves on top
    Giving the poor beneath
    Drop after drop;
    ’Tis a sweet noise to hear
    These green leaves drinking near.

    And when the Sun comes out,
    After this Rain shall stop,
    A wondrous Light will fill
    Each dark, round drop;
    I hope the Sun shines bright;
    ’Twill be a lovely sight.

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  15. 33. A Winter Blue Jay

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    Sara Teasdale’s (1884-1933) “A Winter Blue Jay” was published in the book Rivers to the Sea in 1915. This poem features two lovers enjoying a beautiful winter day. They think nothing could be better than the sights they’ve already experienced, but then they spot a bluejay. Just as their day is filled with more beauty, so is their love as time moves forward. Sara Teasdale married Ernst Filsinger. Unfortunately, he traveled a lot for work, leaving her lonely, and their marriage ended in 1929.

    Crisply the bright snow whispered,
    Crunching beneath our feet;
    Behind us as we walked along the parkway,
    Our shadows danced,
    Fantastic shapes in vivid blue.
    Across the lake the skaters
    Flew to and fro,
    With sharp turns weaving
    A frail invisible net.
    In ecstasy the earth
    Drank the silver sunlight;
    In ecstasy the skaters
    Drank the wine of speed;
    In ecstasy we laughed
    Drinking the wine of love.
    Had not the music of our joy
    Sounded its highest note?
    But no,
    For suddenly, with lifted eyes you said,
    “Oh look!”
    There, on the black bough of a snow flecked maple,
    Fearless and gay as our love,
    A bluejay cocked his crest!
    Oh who can tell the range of joy
    Or set the bounds of beauty?

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  16. 34. The Humblebee

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    Ralph Waldo Emerson was an American essayist, poet, and lecturer who lived from 1803-1882. Emerson believed that nature has knowledge for man to learn, but one must be attentive and willing to study the messages it presents. Emerson believed in the perfection of the natural world because it was not created by humans. This poem touches on the greatness of nature. The bee is seen as a symbol of innocence, and bumblebees used to be known as "humble bees." They are so intent on getting nectar that it's possible to pet them.

    Burly dozing humblebee!
    Where thou art is clime for me.
    Let them sail for Porto Rique,
    Far-off heats through seas to seek,
    I will follow thee alone,
    Thou animated torrid zone!
    Zig-zag steerer, desert-cheerer,
    Let me chase thy waving lines,
    Keep me nearer, me thy hearer,
    Singing over shrubs and vines.

    Insect lover of the sun,
    Joy of thy dominion!
    Sailor of the atmosphere,
    Swimmer through the waves of air,
    Voyager of light and noon,
    Epicurean of June,
    Wait I prithee, till I come
    Within ear-shot of thy hum,--
    All without is martyrdom.

    When the south wind, in May days,
    With a net of shining haze,
    Silvers the horizon wall,
    And, with softness touching all,
    Tints the human countenance
    With a color of romance,
    And, infusing subtle heats,
    Turns the sod to violets,
    Thou in sunny solitudes,
    Rover of the underwoods,
    The green silence dost displace,
    With thy mellow breezy bass.

    Hot midsummer's petted crone,
    Sweet to me thy drowsy tune,
    Telling of countless sunny hours,
    Long days, and solid banks of flowers,
    Of gulfs of sweetness without bound
    In Indian wildernesses found,
    Of Syrian peace, immortal leisure,
    Firmest cheer and bird-like pleasure.

    Aught unsavory or unclean,
    Hath my insect never seen,
    But violets and bilberry bells,
    Maple sap and daffodels,
    Grass with green flag half-mast high,
    Succory to match the sky,
    Columbine with horn of honey,
    Scented fern, and agrimony,
    Clover, catch fly, adders-tongue,
    And brier-roses dwelt among;
    All beside was unknown waste,
    All was picture as he passed.

    Wiser far than human seer,
    Yellow-breeched philosopher!
    Seeing only what is fair,
    Sipping only what is sweet,
    Thou dost mock at fate and care,
    Leave the chaff and take the wheat,
    When the fierce north-western blast
    Cools sea and land so far and fast,
    Thou already slumberest deep,--
    Woe and want thou canst out-sleep,--
    Want and woe which torture us,
    Thy sleep makes ridiculous

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  17. 35. A Narrow Fellow In The Grass

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    When the poem was published in the Springfield Daily Republican (Feb. 14, 1866), it was entitled "The Snake."

    A narrow fellow in the grass
    Occasionally rides;
    You may have met him,--did you not,
    His notice sudden is.

    The grass divides as with a comb,
    A spotted shaft is seen;
    And then it closes at your feet
    And opens further on.

    He likes a boggy acre,
    A floor too cool for corn.
    Yet when a child, and barefoot,
    I more than once, at morn,

    Have passed, I thought, a whip-lash
    Unbraiding in the sun,--
    When, stooping to secure it,
    It wrinkled, and was gone.

    Several of nature's people
    I know, and they know me;
    I feel for them a transport
    Of cordiality;

    But never met this fellow,
    Attended or alone,
    Without a tighter breathing,
    And zero at the bone.

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  18. 36. No Songs In Winter

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    Everything changes and slows down in winter. The world seems empty, and time moves slowly. For many, it can be a difficult season to get through, but one day, everything will return, and things will be restored.

    The sky is gray as gray may be,
    There is no bird upon the bough,
    There is no leaf on vine or tree.

    In the Neponset marshes now
    Willow-stems, rosy in the wind,
    Shiver with hidden sense of snow.

    So too 't is winter in my mind,
    No light-winged fancy comes and stays:
    A season churlish and unkind.

    Slow creep the hours, slow creep the days,
    The black ink crusts upon the pen--
    Just wait till bluebirds, wrens, and jays
    And golden orioles come again!

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  19. 37. Our Blessings

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    “Our Blessings" by Ella Wheeler Wilcox encourages readers to reflect on the small, everyday blessings in life and to be grateful for them. She reminds us that blessings come in all forms, whether they be big or small, and that they are all around us if we only take the time to notice them. The poem employs poetic techniques such as imagery, where the speaker uses descriptive language to create sensory experiences for the reader, helping them to see and feel the blessings in their life. Alliteration is also used to draw attention to the beauty of the sky and repetition is used to stress the idea that blessings are all around us.

    Sitting to-day in the sunshine
        That touched me with fingers of love,
    I thought of the manifold blessings
        God scatters on earth, from above;
    And they seemed, as I numbered them over,
        Far more than we merit, or need,
    And all that we lack is the angels
        To make earth a heaven indeed.

    The winter brings long, pleasant evenings,
        The spring brings a promise of flowers
    That summer breathes into fruition;
        And autumn brings glad, golden hours.
    The woodlands re-echo with music,
        The moonbeams ensilver the sea;
    There is sunlight and beauty about us,
        And the world is as fair as can be.

    But mortals are always complaining!
        Each one thinks his own a sad lot,
    And forgetting the good things about him,
        Goes mourning for those he has not.
    Instead of the star-spangled heavens,
        We look on the dust at our feet;
    We drain out the cup that is bitter,
        Forgetting the one that is sweet.

    We mourn o'er the thorn in the flower,
        Forgetting its odor and bloom;
    We pass by a garden of blossoms,
        To weep o'er the dust of the tomb.
    There are blessings unnumbered about us--
        Like the leaves of the forest they grow;
    And the fault is our own--not the Giver's--
        That we have not Eden below.

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  20. 38. Vision

    Famous Poem

    Sometimes it’s hard to see past what is right in front of us in order to see the beauty around us. It can be easy to allow circumstances to cloud our view. In this poem, mist and clouds fill the valley, preventing the people living there from seeing the beauty of the surrounding mountains.

    I came to the mountains for beauty
    And I find here the toiling folk,
    On sparse little farms in the valleys,
    Wearing their days like a yoke.

    White clouds fill the valleys at morning,
    They are round as great billows at sea,
    And roll themselves up to the hill-tops
    Still round as great billows can be.

    The mists fill the valleys at evening,
    They are blue as the smoke in the fall,
    And spread all the hills with a tenuous scarf
    That touches the hills not at all.

    These lone folk have looked on them daily,
    Yet I see in their faces no light.
    Oh, how can I show them the mountains
    That are round them by day and by night?

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  21. 39. The Wind And The Leaves

    • By George Cooper

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    In "The Wind and the Leaves" by George Cooper (1840-1927), the wind's playful call beckons the leaves to embrace the changing season, marking the transition from vibrant summer to the chill of fall. The poem weaves personification and vivid imagery to give life to the leaves, as they respond to the wind's invitation with a colorful dance and songs. Amidst their joyful play, they bid farewell to their fellow creatures, embodying a sense of camaraderie and interconnectedness with nature. The poem captures the cyclical nature of life as the leaves eventually succumb to their winter slumber, covered by a blanket of snow, symbolizing the rhythm of renewal and rest in the natural world.

    "Come, little leaves," said the wind one day.
    "Come o'er the meadows with me, and play'
    Put on your dress of red and gold,—
    Summer is gone, and the days grow cold."

    Soon as the leaves heard the wind's loud call,
    Down they came fluttering, one and all;
    Over the brown fields they danced and flew,
    Singing the soft little songs they knew.

    "Cricket, good-by, we've been friends so long;
    Little brook, sing us your farewell song,—
    Say you are sorry to see us go;
    Ah! you will miss us, right well we know."

    "Dear little lambs, in your fleecy fold,
    Mother will keep you from harm and cold;
    Fondly we've watched you in vale and glade;
    Say, will you dream of our loving shade?"

    Dancing and whirling, the little leaves went;
    Winter had called them, and they were content.
    Soon fast asleep in their earthy beds,
    The snow laid a coverlet over their heads.

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  22. 40. Who Has Seen The Wind?

    Famous Poem

    Until the age of nine, Christina Rossetti (1830-1894) spent time at her grandfather’s cottage in Holmer Green. In 1839, he sold the property and moved to London. During these visits to Holmer Green, Christina had the freedom to wander around the property and fall in love with nature. The natural world seeped into the poetry she went on to write.

    Who has seen the wind?
    Neither I nor you:
    But when the leaves hang trembling,
    The wind is passing through.

    Who has seen the wind?
    Neither you nor I:
    But when the trees bow down their heads,
    The wind is passing by.

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